

怪物の木こり
あらすじ
サイコパスを自認する冷血非情な弁護士の二宮は、斧を凶器とする連続殺人鬼のターゲットになってしまう。逆襲を誓った二宮は、犯人を捕まえるべく行動を開始する。
作品考察・見どころ
原作・関連書籍
映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。


サイコパスを自認する冷血非情な弁護士の二宮は、斧を凶器とする連続殺人鬼のターゲットになってしまう。逆襲を誓った二宮は、犯人を捕まえるべく行動を開始する。
映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。
監督: 三池崇史
音楽: 遠藤浩二
撮影監督: 北信康
制作会社: OLM / Warner Bros. Japan / avex pictures / J Storm / KDDI / WOWOW / Open Culture Entertainment / Universal Music Japan / GYAO / Nippon Broadcasting System / Lawson / Movie Walker / UUUM
Its rare to come across a uniquely slick crime thriller which is why Lumberjack The monster, is so impressive. Its coldly calculating tones, established early on, are oh so gradually supplanted by an inexplicably warm humanism. Evil can indeed be made but also un-made. Leaving the viewer sympathising with the perpetrator of wicked acts, as much as the victim. Characterisations are sophisticated but subdued which fits perfectly with the understated tone of the this film and whilst the story rambles a little, at times, it comes together gratifyingly. In summary, this is a compelling watch that's craftily clever and on a certain level, inexplicably moving. For my money, a must watch.
Lumberjack the Monster transforms a serial-killer premise into a psychological journey that explores identity, empathy, and the shadows within human nature. Through Akira Ninomiya’s chilling yet fragile transformation, the film blends mystery, introspection, and quiet emotional shifts that reveal a man learning—fearfully—to feel. Despite some underdeveloped characters, it delivers a gripping and elegant unraveling of darkness, bound together by the haunting fairy tale that frames its story. Read the full review here: (Indonesian version : alunauwie.com) and (English version : uwiepuspita.com)