FindKey

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Find (見つける) + Key (鍵・正解)

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Counterblast
Counterblast

Counterblast

19481h 39m★ 6.0スリラードラマアクション

あらすじ

No synopsis available.

作品考察・見どころ

本作の真髄は、マーヴィン・ジョーンズが見せる底知れぬ狂気と、日常が反転する瞬間のゾッとするような美学にあります。平穏に潜む亡霊を、抑制の効いた演出で描く手腕は見事。ロバート・ビーティの存在感が対照的な光を放ち、激しい心理戦が観る者の心臓を鷲掴みにします。 科学の倫理と人間の業を問うメッセージは、現代の我々にとっても他人事ではありません。見えない脅威が社会を侵食する焦燥感は、陰影豊かな映像美によって重みを増しています。正義と狂気が交錯する果てに、本作は人間の本質という深い問いを突きつけてくるのです。

スタッフ・制作会社

監督: Paul L. Stein

脚本: Jack Whittingham / Guy Morgan

音楽: Hans May

制作: Louis H. Jackson

口コミ

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キャスト

Robert Beatty
Robert Beatty
Dr. Paul Rankin
Mervyn Johns
Mervyn Johns
Dr. Bruckner, the Beast of Ravensbruck
Margaretta Scott
Margaretta Scott
Sister 'Johnnie' Johnson
Nova Pilbeam
Nova Pilbeam
Tracy Heart
No Image
Sybilla Binder
Martha Lert
No Image
Marie Lohr
Mrs. Cole
Karl Stepanek
Karl Stepanek
Professor Inman
Alan Wheatley
Alan Wheatley
M. W. Kennedy

TMDB ユーザーのレビュー

talisencrw
talisencrw
★ 7

I have to admit that one of my greatest cinematic guilty pleasures is the horror of the Nazi film (unfortunately, certain political trends recently in my neighbour to the south, the United States, make me unfortunately feel that similar ways of thinking have yet to be eradicated). Thankfully, being born as I was in the late 60's, I didn't have to experience such terror firsthand, but it's fascinating to see, through the wonders of cinema, examples of that fascist type of thinking, carried out to its fruition (some of my favourites in this area are quite controversial films, like 'Salo, or the 120 Days of Sodom', 'The Night Porter' and 'Dr. Strangelove'). At least in my estimation, I have no idea how I would have acted in either polarity of the situation: either being a German and told to act accordingly, or being a concentration camp inmate. I am simply thankful I didn't have to experience either horrific scenario. This film was an unexpected pleasure. Though no star power is behind it, or budget to speak of, and though there is suspense and a good script, it could have been a lot better handled, both in terms of direction and cinematography (it has 'British 40's B-picture' written all over it, while it's crying out for a capable helmer such as Sir Carol Reed, Sir Alfred Hitchcock, or The Archers, each of which would have made a minor masterpiece out of it). I am very thankful that it was included in my Mill Creek 'Nightmare Worlds' 50-film pack, or honestly I would have never heard of it. Now my main ambition is to get all of their sets, and see what other cinematic hidden treasures I can discover!

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