聖書を売り付けて小金を稼ぐ詐欺師のモーゼが、亡くなった知り合いの娘アディと出会う。彼は嫌々ながら彼女を親戚の家まで送り届ける事になったが、ペテンの相棒としてアディと旅を続けるうち、モーゼは父親めいた愛情を感じていく……。モノクロの映像が30年代の雰囲気を巧みに伝える、心温まるロード・ムービー。
AIが作品の魅力を深く読み解いています
製作費: $2,500,000 (4億円)
興行収入: $30,900,000 (46億円)
推定収支: $28,400,000 (43億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
Utterly delightful. Father and daughter Ryan and Tatum O'Neal, under Peter Bogdanovich's superlative direction, produce one of the most affectingly warm and cunningly sly movies of the 1970s. Set in depression era America and beautifully photographed in pristine monochrome by Laszlo Kovacs, it's a period piece that refuses to get old, such is the deft imagery and sharpness of the screenplay. Story essentially comes down to conman Moses Pray (R. O'Neal) hooking up with orphan Addie Loggins (T. O'Neal), who may or may not be his actual daughter. Addie proves to be a precocious live wire, not easily fooled and she smokes, cusses and is more than capable of pulling a con herself. After initial indignation, Moses comes to court Addie's strengths and they form a dynamic partnership as they travel through Kansas, pulling cons left right and centre and piling the money up. But can it last forever? The chemistry between father and daughter is obviously set in stone, with young Tatum an absolute revelation. The screenplay gives them both ample opportunities to enchant and amuse the viewer as they get up to all sorts of tricks and scrapes. Yet there's always that feeling hanging in the dusty air that something has to give, that we are treading firmly in bittersweet territory, the crafty couple having earned our complete investment in their well being keeping us concerned even as we laugh out loud. Delightful. 9/10
***Ryan O’Neal and his kid daughter Tatum in 1930’s Kansas*** In Depression-era Kansas, a conman who sells Bibles (Ryan O’Neal) is coerced into allowing a precocious 9 year-old (Tatum O’Neal) to ride with him as they travel to St. Joseph, Missouri, where her aunt lives. Madeline Kahn plays a carnival “dancer” with P.J. Johnson as her teen aide. John Hillerman appears in a double role as a bootlegger and police officer. "Paper Moon" (1973) is a B&W drama with amusing moments. Imagine “The Highwaymen” (2019) and “Bonnie and Clyde” (1967), but with a lighter tone and much less severe criminality, mixed with father/quasi-daughter antics. The movie’s entertaining throughout, but the ending’s too low-key for my tastes (How about some good ol’ fashioned emotion?). But that’s a minor quibble. The film runs 1 hour, 42 minutes and was shot in Kansas, Nebraska & Missouri (with one part done in Pasadena). GRADE: B
