FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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フライト・リスク
フライト・リスク

フライト・リスク

“上空10,000フィート タイムリミットまで残り90分 搭乗者全員ワケあり 史上最悪のフライトへようこそ”

20251h 31m★ 5.9アクションスリラー

あらすじ

保安官補のハリス(ミシェル・ドッカリー)は、マフィアに関する証言をすることになっている重要参考人のウィンストン(トファー・グレイス)をニューヨークの裁判所まで航空輸送する機密任務に就く。ベテランパイロットのダリル(マーク・ウォールバーグ)は、陽気な会話でハリスの緊張をほぐしていく。離陸した一行が乗る機体は、アラスカ山脈上空10,000フィートまで上昇。タイムリミットが気になるハリスだが、頼もしいダリルのお陰で順風満帆な航行になるかに思えた。一方、ひとり後部座席に繋がれるウィンストンが、足元に落ちていたライセンス証を何気なく見ると、そこには今目の前に座るパイロットとは全くの別人が写し出されているのだった──。

作品考察・見どころ

本作の真髄は、小型機という逃げ場のない極限状況が生み出す、息が詰まるような心理戦にあります。メル・ギブソン監督は密室における緊張を完璧にコントロールし、観客を疑心暗鬼の渦へと引き込みます。単なるアクションの枠を超え、信頼の崩壊と生存本能をテーマに据えた、極めて緻密で攻撃的なサスペンスの傑作です。 特にマーク・ウォールバーグの、従来のイメージを覆す怪演は圧巻です。彼が放つ不穏なオーラと、共演陣との緊迫した掛け合いが火花を散らし、空の上で剥き出しになる狂気が映像から突き刺さります。予測を裏切り続け、五感を刺激するスリルに満ちた没入体験は、観る者の鼓動を最後まで速め続けるでしょう。

興行成績

製作費: $25,000,000 (38億円)

興行収入: $48,703,174 (73億円)

推定収支: $23,703,174 (36億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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レンタル・購入

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キャスト

マーク・ウォールバーグ
マーク・ウォールバーグ
Daryl Booth
ミシェル・ドッカリー
ミシェル・ドッカリー
Madolyn Harris
Topher Grace
Topher Grace
Winston
Leah Remini
Leah Remini
Van Sant (voice)
Maaz Ali
Maaz Ali
Hassan (voice)
Paul Ben-Victor
Paul Ben-Victor
Coleridge (voice)
Eilise Patton
Eilise Patton
Janine (voice)
Savanah Joeckel
Savanah Joeckel
Rescue Worker #1
Monib Abhat
Monib Abhat
Hassan
No Image
Senor Pablo
Bush Pilot (voice)

スタッフ・制作会社

監督: メル・ギブソン

脚本: Jared Rosenberg

音楽: アントニオ・ピント

制作: ペトル・ヤクル / ジョン・デイヴィス / Russell Hollander

撮影監督: Johnny Derango

制作会社: Davis Entertainment / Icon Productions / Hammerstone Studios / Lionsgate / Media Capital Technologies

TMDB ユーザーのレビュー

r96sk
r96sk
★ 7

<em>'Flight Risk'</em> is a film that I'm not totally convinced by, though in the end I think I like it. On the one hand, it has inconsistent suspense, has dodgy humour and doesn't truly entertain like an action thriller ought to. On the other hand, the performances are good, the exterior plane shots are convincing and the twisty nature makes it watchable. Mark Wahlberg (amusing accent), Michelle Dockery and Topher Grace are actors that I enjoyed watching here, Grace manages to overcome some cringey dialogue that was (hopefully, for his sake) written for him; the banter isn't great, the more serious stuff he is solid at. Monib Abhat also has iffy comedy, though does make it work more; a mostly voice role helps. Overall, a fine time at the movies. Like last week, I was fortunately able to watch it as part of a double header on the big screen - this time with Steven Soderbergh's <em>'Presence'</em>. Back-to-back 90 minutes, I'm cool with long run times but sometimes its nice to have films of such a length. For what it's worth, that other flick is the better.

CinemaSerf
CinemaSerf
★ 6

With the boss of the "Moretti" crime family about to go on trial, his accountant "Winston" (Topher Grace) thought it better to skedaddle to the Alaskan wilderness. Unluckily for him, determined deputy marshal "Madolyn" (Michelle Dockery) tracks him down and engages the pilot of a single-prop aircraft to fly him back to New York to turn state's evidence. The pilot (Mark Wahlberg) is one of those annoyingly chirpy guys and off they set. It's gonna be a bumpy ride, but after she notices a few scars on this man, it proves to be a great deal bumpier as their tiny little cockpit becomes the scene for quite a power struggle. It's that claustrophobic environment and quite an engaging effort from Wahlberg that deliver here as this airborne game of cat and mouse hots up. Sure, it does repeat itself once too often and the story is really all quite predictably weak, but the scenario does work well enough and with Grace's wise-cracking and a competent performance from Dockery it's actually not a bad watch for ninety minutes.

No
No

Mark Wahlberg crashes a CIA helicopter into an aeroplane then beats up some Koreans. Masterpiece.

RalphRahal
RalphRahal
★ 3

Flight Risk (2025) starts off promising, with a strong setup, solid camera work, and an intriguing atmosphere. The first few shots in the cabin pull you in, and the takeoff sequence gives some nice scenic visuals. But once the plane gets in the air, the movie loses its edge. The direction is competent but lacks any real flair, shifting into a standard back-and-forth between characters that makes everything feel predictable. The plot tries to build tension with espionage and intrigue, but it never fully develops. There are a lot of questionable decisions made by the characters, and the script doesn’t do much to make them feel believable. Mark Wahlberg delivers a solid performance, holding his character well, but the supporting cast doesn’t bring much to the table. The CGI is a weak point, especially considering how much the movie relies on it. With most of the story taking place inside the plane, you'd expect at least the exterior shots to be convincing, but they aren't. The action sequences feel choppy, and some moments defy logic in ways that take you out of the experience. The score is there, but nothing stands out. Overall, Flight Risk had potential but ends up being an average thriller that leans too much on familiar tropes without adding anything new.

Manuel São Bento
Manuel São Bento
★ 1

Flight Risk crashes and burns in spectacular fashion. It's so confused about its own identity that it never takes off. It awkwardly straddles the line between brainless action flick and tense, claustrophobic thriller, failing miserably at both. The overall writing is a disaster, with dialogue so wooden that even the most mundane conversations feel like an endurance test. The pacing is just as dreadful, with lifeless, generic interactions dragging between absurd fight sequences. In addition to the unthinkable level of suspension of disbelief, the cast is also unable to improve the appalling material. Topher Grace delivers an awful performance, while Michelle Dockery and Mark Wahlberg - who admittedly commits to his lunatic role - can't escape the movie's overwhelming ridiculousness. Wahlberg's bald head and absurd dialogue make it impossible to take him seriously. But the real disappointment is Mel Gibson, whose direction is incomprehensibly dull. For the man behind Braveheart and Hacksaw Ridge, this is an embarrassingly uninspired effort. Adding insult to injury, the film's noticeable green screen and atrocious VFX make everything look cheap and artificial. One of the worst films of the last few years.

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