“夢は永遠に生き続ける”
1960年代のデトロイト。ライブハウスでディーナ、エフィ、ローレルの「ドリーメッツ」がライブハウスの出演を賭けてオーディションを受けていた。その三人に目をつけたのが中古車ディーラーでジェームス“サンダー”アーリーのプロデューサーであるカーティス・テイラー・ジュニアだった。彼はジミーの女癖の悪さからバックコーラスを失い、探していたのだがドリーメッツの声を聞き、週500ドルで彼女たちを雇う。
製作費: $70,000,000 (105億円)
興行収入: $154,937,680 (232億円)
推定収支: $84,937,680 (127億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: ビル・コンドン
脚本: ビル・コンドン / Tom Eyen / アン・プレヴェン
音楽: Tom Eyen / Henry Krieger
制作: David Geffen / Patricia Whitcher / Laurence Mark
撮影監督: Tobias A. Schliessler
制作会社: DreamWorks Pictures / Paramount Pictures / Laurence Mark Productions
Jennifer Hudson is simply superb in this musical roller-coaster of a film. She is "Effie" whom, along with "Deena" (Beyoncé Knowles) and "Lorrell" (Anika Noni Rose), form a trio of singers aspiring to fame and fortune. Along the way, they encounter the usual suite of difficulties - bigotry, racism and misogyny as well as having to deal with their own personal rivalries. They are signed by Detroit used car salesman "Curtis" (Jamie Foxx) to back his established, womanising, star "James Early" (Eddie Murphy) and soon their star seems fixed. That is, until "Curtis" decides to dispense with the services of the temperamental "Effie" and with those of "Early" as he sees his vision for these talented and enigmatic women really take off. At times, it does stray a little too close to domestic melodrama, but for the most part this is a cracking story of how these women prove their own mettle. They regale against the male-dominated music business; increasingly try to assert themselves not just in the industry but with their management but, towards the end, with there own personal relationships before a powerful and vindicating denouement. Henry Kriegen and Tom Eyon have written some strong and powerful lyrics for the ladies to belt out with aplomb, particularly the title song, "It's All Over" and the show stopping "One Night Only". The production detail, photography and general pace of the film really do make for an an engaging watch; the performances are vibrant and frequently the emotion they generate is compelling to watch. Foxx is not the best, to be fair - especially when he bursts into song, but Murphy fares a bit better on that front and all told, this is an entertaining look at just how these women took on and defeated a system and a society that was stacked against them from the start. Parallels with Motown?
