The Shift
あらすじ
No synopsis available.
予告・トレイラー
作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
製作費: $6,500,000 (10億円)
興行収入: $12,238,643 (18億円)
推定収支: $5,738,643 (9億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $6,500,000 (10億円)
興行収入: $12,238,643 (18億円)
推定収支: $5,738,643 (9億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Brock Heasley
脚本: Brock Heasley / Jake Christensen / Daniel Harmon
音楽: Dan Haseltine / Matthew S. Nelson
制作: Brock Heasley / Ken Carpenter / Dallas Jenkins
撮影監督: Edd Lukas
I was pretty confused as to what was going on, and I wasn’t vibing with the movie very much at the start. But then, out of nowhere, one of the best cinematic scenes in history played on the screen. Kevin denied the devil, and it was absolutely insane. I was sucked in. From there, I had fun trying to decipher the metaphors and plot they had written and ended up loving the film. **4.5/5**
**_Highbrow multiverse Sci-Fi with elements of the book of Job_** The milieu is mostly of the dystopian variety with Kristoffer Polaha starring as the protagonist and Neal McDonough playing the mysterious The Benefactor. Sean Astin is also on hand in a peripheral role. While the relationship between the protagonist and his romantic interest (Elizabeth Tabish) is effectively established, the first half is bewildering with constant shifts from one reality to another. Thankfully, you start to catch a grip in the second half, and the film delivers some powerful food for thought, such as: You Are Not Your Worst Moment. This was the writer/director’s debut feature film after releasing a few shorts from 2016-2019, one of which was also called “The Shift” and the foundation for this. The filmmaking is topnotch for an indie highlighted by quality actors who rise to the challenge. I would compare it to “The Shack” (2017), which also tackles the tough questions of life, like how can a good God allow evil and suffering? Both films are full of meaty material on which to reflect, but this one’s more sci-fi oriented. It’s also overly convoluted, similar to “Beyond the Darkness,” aka “Heaven’s War.” The writer/director of each flick respects the intelligence of the viewer to put the pieces together, assuming they’re interested. It runs 1h 54m and was shot in the late winter of 2023 in Birmingham, Alabama. GRADE: B/B-
