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作品考察・見どころ
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興行成績
製作費: $23,000,000 (35億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。


No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $23,000,000 (35億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Gordon Douglas
脚本: Ted Sherdeman / George Worthing Yates / Russell S. Hughes
音楽: Bronislau Kaper
制作: David Weisbart
撮影監督: Sidney Hickox
制作会社: Warner Bros. Pictures
Great Classic Sci-Fi! This movie came out 7 days after I was born! Because of Nuclear testing. ( Of Course ) Everything happened in the 50's movies because of that, these tiny little creatures become as large as cars and bigger. Ravishing the countryside looking for Sugar, of perhaps a M&M factory. Of course people get in the way and are quickly dispatched in their giant pinchers. Great cast also. A Must see!
Often imitated, rarely bettered. Weird deaths are occurring in the New Mexico desert, it is revealed to be the work of giant mutated ants born out of the "A Bomb" tests that took place there. Trouble escalates to the big city of Los Angeles when one of the giant queen ants escapes to L.A. and starts laying eggs that could lead to the end of mankind as we know it. This is a cautionary tale about scientific tampering fused with a Cold War theme of destroying a threat to the country. Boasting some wonderful scenes such as the first desert encounter (cloaked in a sandstorm) and the final underground battle, Them! is a truly enjoyable viewing experience. It oozes the right amount of paranoia that became ever more prominent as the nuclear age began grow. The puppetry and special effects on show is of a very high standard for the time (well done Academy Award Nominee Ralph Ayres), and the direction from Gordon Douglas is one of the better efforts in the genre. The tight story vanquishes any gripes about the plausibility factor, while the acting is, perhaps given the type of genre piece it is, of a surprisingly good standard. With James Whitmore, Edmund Gwenn, and Joan Weldon giving it a bit of oopmh. It went on to become Warner Brothers highest grossing film in 1954, and it's really not hard to see why. Because this firmly stands up as one of the better films of what is sadly a much maligned genre. 8/10