“愛しても愛し足りない、憎んでも憎みきれない、舞台を染める運命の愛。”
1925年、9歳の少年・小豆子は、娼婦の母親に連れられ京劇養成所“喜福成”にやって来た。そこで彼は少年・小石頭と仲良くなる。やがてふたりは成長し、小豆子は女形に、小石頭は男役に決められ、それぞれ程蝶衣、段小樓と名乗り有名スターになっていく。1937年、中国と日本との戦いが深まる中で、段小樓は娼婦の菊仙と出会い結婚する。段小樓に思いを寄せていた程蝶衣は、2度と共演しないと言い放ち、彼のもとを去る。
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製作費: $4,000,000 (6億円)
興行収入: $6,400,000 (10億円)
推定収支: $2,400,000 (4億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
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監督: 陈凯歌
音楽: 李宗盛 / Jiping Zhao
制作: Jun-Nian Tang / 徐楓 / Pin Hsu
撮影監督: 顾长卫
制作会社: Beijing Film Studio / China Film Co-Production / Tomson (Hong Kong) Films Co., Ltd.
**An excellent film.** I was really curious to see this movie, because as far as I can remember it was the first Chinese movie I saw. Before I saw it, I read a little about it, and I was quite impressed to see how the film did well in the West, and managed to infuriate Chinese Communist censors. However, I fear that I was not fully prepared for what awaited me. In fact, the film is truly brutal, in every sense of the word. Director Kaige Chen took a well-known and respected book for his film, but put all the focus on an almost visceral realism. The film is an epic that spans a large period of time, between 1924 and 1977, that is, very troubled years in Chinese history, which includes the entire period of war against Japan and the invasion of Manchuria, as well as the cultural revolution. Maoist. At the same time, it reveals the backstage of Cantonese opera, a traditional Chinese cultural style. In the film, two young apprentices live a cruel and unhappy life at the opera school, with daily beatings and various abuses, including sexual abuse. One of them will play the female characters in the stories, like a transvestite, since women are not allowed on stage. Throughout the film, there is a lot of confusion between life and art, and we often feel that these actors are mixing things up, living their characters in real life and transposing their real life to the stage. I don't know any of the actors in the cast, but I really liked their overall work, and the way they play opposite each other. The film also has extraordinary scenarios, full of realistic details, such as the construction of buildings, the lanterns. The actors' costumes also deserve applause, especially the characters in the opera, with all those fabrics and those strong face paints. Finally, a word for the wonderful cinematography, excellent opening credits and soundtrack.
