In the Cut
あらすじ
No synopsis available.
予告・トレイラー
興行成績
製作費: $12,000,000 (18億円)
興行収入: $23,726,793 (36億円)
推定収支: $11,726,793 (18億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
製作費: $12,000,000 (18億円)
興行収入: $23,726,793 (36億円)
推定収支: $11,726,793 (18億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Jane Campion
脚本: Susanna Moore / Jane Campion / Stavros Kazantzidis
制作: Laurie Parker / ニコール・キッドマン / Effie Brown
撮影監督: Dion Beebe
制作会社: Pathe / Laurie Parker Productions
When a young woman is murdered in New York, one of the investigating police officers encounters local teacher “Frannie” (Meg Ryan) in whose garden the body was found and whilst investigating the crime, “Molloy” (Mark Ruffalo) and she start to have an affair. It’s a sexually-charged arrangement but the more she sees him, the more she begins to suspect that his belief in there being a serial killer is correct, but might it actually be “Molloy” who is up to no good? It’s creepily shot and paced, but I’m afraid that a couple of nude scenes and some explicitly dirty chatter don’t really do anywhere near enough to make this film stand out. The plot is derivative; the denouement rushed and aside from Ryan more erotically reprising her famous diner scene from “When Harry…” (1989) there really isn’t a thing memorable about this film at all. Perhaps the more graphic A-lister sex scenes caused more of a stir in the USA, but for those of us brought up on European detective yarns, some brutal serial killing intermingled with some shagging isn’t anything new, innovative or especially compelling to watch. It does look good, but it’s not a very memorable or scary exercise otherwise.
