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King of Jazz
King of Jazz

King of Jazz

19301h 40m★ 6.2アニメーション音楽

あらすじ

No synopsis available.

予告・トレイラー

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原作・関連書籍

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興行成績

製作費: $2,000,000 (3億円)

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口コミ

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キャスト

Paul Whiteman
Paul Whiteman
Paul Whiteman
John Boles
John Boles
Vocalist ('Song of the Dawn' / 'It Happened in Monterey')
Jeanie Lang
Jeanie Lang
Vocalist ('I'd Like To Do Things For You' / 'Ragamuffin Romeo')
Laura La Plante
Laura La Plante
Editor ('Ladies of the Press') / Stenographer ('In Conference') / Quartet Member, 'Nellie'
Jeanette Loff
Jeanette Loff
Vocalist ('It Happened in Monterey' / 'Bridal Veil' / 'A Bench in the Park')
Glenn Tryon
Glenn Tryon
Executive ('In Conference') / Unmarried Husband
No Image
William Kent
General ('All Noisy on the Eastern Front') / Goldfish Owner ('Oh! Forevermore!') / Unmarried Couple's Offspring / Vocal ('Do Things For You')
Slim Summerville
Slim Summerville
Automobile Owner ('Springtime') / Rear End of Horse / Charles
Kathryn Crawford
Kathryn Crawford
Fourth Reporter ('Ladies of the Press')
Carla Laemmle
Carla Laemmle
Chorine (as Beth Laemmle)

スタッフ・制作会社

監督: John Murray Anderson

脚本: Edward T. Lowe Jr. / Harry Ruskin

音楽: Alfonso Corelli

制作: Carl Laemmle Jr.

撮影監督: Hal Mohr / Ray Rennahan

制作会社: Universal Pictures

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

The title of this film is a touch misleading. I was expecting much more of a jazz-based musical revue but instead got pretty much a whole gamut of colourful and precisely staged repertoire. Paul Whiteman and his accomplished orchestra provide the conduit, as it were, as a variety of performers sing, dance and make us laugh (or cringe) for the next hundred minutes. There's a bit of Bing Crosby's first screen appearance with the "Rhythm Boys" doing a lively version of "Happy Feet" and probably my favourite staging of George Gershwin's "Rhapsody in Blue" - featuring an orchestra within the belly of the grandest of pianos. What this illustrates really effectively is the huge variety of musical skills that audiences in 1930 could expect to see, and at just how versatile the orchestra was when it came to playing themes from just about every genre. Whoever thought about playing some patriotic Souza on a bicycle pump? It looks great and it sounds good but for me, not being an American, too many of the acts - especially the comedy - didn't really travel. The production itself, though probably impractical to deliver, needed a live audience to breathe some life into it. The skills there are superb, but the whole thing is just a bit sterile and lifeless. As an history of what engaged the American people in the 1920s, this in still an interesting piece of entertainment nostalgia, though - and it is worth a watch.

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