FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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In Camera
In Camera

In Camera

20241h 35m★ 5.8ドラマ

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Naqqash Khalid

脚本: Naqqash Khalid

音楽: Clark

制作: Juliette Larthe

撮影監督: Tasha Back

制作会社: Prettybird / Public Dreams / Uncommon Creative Studio

口コミ

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キャスト

Amir El-Masry
Amir El-Masry
Conrad
Rory Fleck-Byrne
Rory Fleck-Byrne
Bo
Nabhaan Rizwan
Nabhaan Rizwan
Aden
Antonio Aakeel
Antonio Aakeel
Actor Who Books Everything
ジョシー・ウォーカー
ジョシー・ウォーカー
Joanna
Naomi Radcliffe
Naomi Radcliffe
Therapist
No Image
Aston McAuley
Hussina Raja
Hussina Raja
Production Assistant
Sean Croke
Sean Croke
Gana Bayarsaikhan
Gana Bayarsaikhan
Photographer

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

The camera clearly loves Nabhaan Rizwan in this quirky tale of would-be actor "Aden" who spends most of his life travelling from audition to photo-shoot then back to an audition without ever getting a call back. It's clear that he's swimming against a tide of hundreds of like-minded aspirants and it's hard to see how he's going to break his duck. He shares a flat with the permanently over-tired doctor "Bo" (Rory Fleck Byrne) but maybe things could pick up with their debonaire new sharer "Conrad" (Amir El-Masry) shows up. Might his luck be about to improve? Or - might our friend have taken a bit of a leap into an alternate reality where his sub-conscious has started to change the repetitive dynamic of his life from one of repeated rejection to one of potential. By mid-way through, it's not at all clear to us just what is real and what might not be - and it's quite a bamboozling feeling to have! Rizwan brings some charisma to his frustrated role, certainly, and there's some genuinely funny moments to be taken from his increasing despondency, but somehow I found the whole thing just a bit too disjointed and the characterisations undercooked. He is obviously a British-Asian, but are his experiences seeking success with his chosen career likely to be any less disappointing that anyone from a different background/ethnicity? I'm assuming 99% of people who embark on this sort of path end up working on tables and only ever see the bright lights of their shaving mirror? If it's trying to illustrate a complex sense of anxiety and it's consequences, then it misses completely, I'm afraid. Why should we care about the self-inflicted misery of a great looking man who could just easily go and do something else? Though I did like the exploratory premiss that director Naqqash Khalid is trying to take, I just felt too much was left undeveloped. It's worth a watch, and I'm sure we will see more from both the leading creatives here - but this one, I'm not sure I will remember for long.

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