潮風のいたずら
あらすじ
No synopsis available.
作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
製作費: $22,000,000 (33億円)
興行収入: $26,700,000 (40億円)
推定収支: $4,700,000 (7億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $22,000,000 (33億円)
興行収入: $26,700,000 (40億円)
推定収支: $4,700,000 (7億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: ゲイリー・マーシャル
脚本: Leslie Dixon
音楽: アラン・シルヴェストリ
制作: Roddy McDowall / Alexandra Rose / Anthea Sylbert
撮影監督: ジョン・Ａ・アロンゾ
制作会社: Star Partners / Hawn / Sylbert Movie Company / Metro-Goldwyn-Mayer
This movie wouldn’t make any of my top 20 lists (if I took the time to create some) but I think it is a charming film, and that is quite an accomplishment. Because if it weren’t for the talented ensemble main actors, Garry Marshall directing, and a witty script (the writer has Pay it Forward and others on her resume), this movie could easily have been a stinker. As it is, it has a lot of laughs, cute child actors, some character development, and a fun time for all. It is priceless to watch the Goldie Hawk character go from snooty, haughty rich bitch, to a sensitive self-deprecating amnesiac mom who is not cut out for motherhood and in over her head. What she learns about herself doesn’t come from her memory, but from what the Kurt Russell character relates to her, so she hears how she had sex with him their first date and she says, “I’m a slut.” Sexist, of course, but at least she is saying it about herself, and she does come through for her ‘family’ in the end. It is a harmless good time. I wouldn’t go out of my way to watch it, but I wouldn’t change channels if it came on either. As an aside, I haven’t seen the remake, so I can’t make comparisons. Probably should judge both on their own merits anyway, right?
