Orlando, ma biographie politique
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No synopsis available.
AIが作品の魅力を深く読み解いています
興行収入: $93,854 (0億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Paul B. Preciado
脚本: Virginia Woolf / Paul B. Preciado
音楽: Clara 3000
制作: Yaël Fogiel / Laetitia Gonzalez
撮影監督: Victor Zébo
制作会社: Les Films du Poisson / 24images / ARTE
Using Virginia Woolf’s ground-breaking “Orlando” novel, written in 1928, as an imaginative template, this documentary follows a group of people at various stages of their gender transitioning processes and tells their stories partly through contemporary interviews and partly by each of them playing characters - usually the title one - from the story. Given it’s all but a century old, the book and these speculative sub-texts provide for a remarkably powerful template for their anecdotes as they almost weaponise it to depict the historical roles of the sexes over the centuries. Touching on religiosity as well as the inherent patriarchal nature of a society little evolved since the hunter-gatherer mentality, this film allows these young folk to raise some quite salient points about assumptions and stereotypes, and about the roots of many of these. It does come from a very pro-trans perspective, and perhaps some of it’s assertions ought not to go entirely unchallenged, but the contributors are an erudite and engaging collection, from all walks of life and with all sorts of varying ambitions and aspirations for themselves and for their “community” at large. It’s provocative at times, maybe over-simplistic too, but it does ask questions of societal attitudes to it’s own people that often have no answers at all, let alone straightforward ones.
