聖トリニアンズ女学院
あらすじ
No synopsis available.
作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
製作費: $14,000,000 (21億円)
興行収入: $29,066,483 (44億円)
推定収支: $15,066,483 (23億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $14,000,000 (21億円)
興行収入: $29,066,483 (44億円)
推定収支: $15,066,483 (23億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Barnaby Thompson / Oliver Parker
脚本: Piers Ashworth / Nick Moorcroft / Ronald Searle
音楽: Charlie Mole
制作: James Spring / Rupert Everett / Oliver Parker
撮影監督: Gavin Finney
制作会社: Ealing Studios / Fragile Films / EFD Films / UK Film Council
Ooh err missus. When it was announced that there was to be a modern reboot of St. Trinian’s, it was met with luke warm murmurings to say the least. Yet when it comes down to it, the old films from the 50s and 60s were hardly comedy gold anyway. Safe family fare and sometimes fun into the bargain, and with strong casts, they have never been seen as essential British comedies and untouchable by the modern era’s obsession with remakes and reimaging. St. Trinian’s 2007 style is not an improvement on the oldies, but neither is it the stinker some critics in 2007 wanted us to believe. It has enough about it to be its own animal, it’s funny, sexy and never dull. This also benefits from strong comic casting, where the likes of Rupert Everett (having the time of his life in drag), Colin Firth and Russell Brand are pitched into the femme madness headed by Gemma Arterton and Tallulah Riley. The writers err on the side of caution as far as risqué material goes, but there’s some very strong gags played out and the grouping of the girls into the various cliques (Emos, Chavs etc) is a nifty bit of writing that is mined to good effect. It was good enough and successful enough to warrant a sequel 2 years later… 6.5/10
