The Cooler
あらすじ
No synopsis available.
予告・トレイラー
作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
製作費: $4,000,000 (6億円)
興行収入: $10,400,000 (16億円)
推定収支: $6,400,000 (10億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $4,000,000 (6億円)
興行収入: $10,400,000 (16億円)
推定収支: $6,400,000 (10億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Wayne Kramer
脚本: Frank Hannah / Wayne Kramer
音楽: マーク・アイシャム
制作: John Schmidt / Joe Madden / Edward R. Pressman
撮影監督: James Whitaker
制作会社: Pierce/Williams Entertainment / ContentFilm / Lions Gate Films
“Bernie” (William H. Macy) is the casino equivalent of “Eeyore”. He sits beside the gamblers and makes sure that his doom and gloom philosophy wears off on them and they lose cash. No, it doesn’t sound very scientific but his boss “Shelley” (Alec Baldwin) believes in it and as they cleared $32 millions there last year, well maybe he is right. This technique is one of a few, though, that are causing the gangster owners to begin to consider if maybe there needs to be changes and so now would not be a good time for “Bernie” to move on. Suddenly, he encounters “Natalie” (Maria Bello) to whom he immediately takes a shine and you can only imagine his shock when she reciprocates. Quickly, they begin to fall for each other but isn’t all of this just a little too convenient? Just to add to the confusion, son “Mikey” (Shawn Hatosy) shows up with his expectant girlfriend and clumsily has a go at fleecing the tables! With these storylines gradually knitting together we have to wonder if any of them have any chance of finding happiness or fulfilment. Macy is perfectly cast for this, with his innate hangdog expression and his conveying of a plausible sense of amazement when he manages to hook up with “Natalie”. The rest of it, though, is a bit predictable and the latter half increasingly peters out as nobody quite seems to know how they want this to end. When it does, there’s something straight out of Buster Keaton mixed with a dose of Martin Scorsese that I though a bit daft. It’s watchable enough, but Baldwin exudes all the menace of a meringue and I found it just a bit disappointing.
