FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

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アルカトラズからの脱出
アルカトラズからの脱出

アルカトラズからの脱出

19791h 53m★ 7.5ドラマスリラー
U-NEXT

あらすじ

誰ひとりとして脱獄に成功したことのない刑務所―――アルカトラズ島。ここに一人の囚人が送り込まれた。彼の名はフランク・モーリス。所内で以前、別の刑務所で一緒だったアングリン兄弟と彼は脱獄計画の実行を決める……。あの『ダーティハリー』の名コンビ、ドン・シーゲル監督=クリント・イーストウッドが放つ、873日をかけた脱出作戦を事実に基づいて描く脱獄映画の秀作。

作品考察・見どころ

本作の本質的な魅力は、極限まで削ぎ落とされた静寂の演出にあります。ドン・シーゲル監督の冷徹な映像美とクリント・イーストウッドの抑制された演技が、不屈の精神というテーマを鮮烈に描き出します。単なる脱獄劇を超え、巨大なシステムに抗う個人の尊厳を問う哲学的な深みが、観る者の魂を熱く揺さぶります。 ノンフィクションの原作が持つ事実の重みを、映像ならではの緊迫感で見事に昇華させている点も見逃せません。詳細な記録をベースにしながらも、壁を削る音や冷たい海風の質感など、五感に訴える表現で観客を共犯者へと引き込みます。事実の羅列を、普遍的な自由への渇望という物語へ変貌させた、実録映画の最高峰と呼ぶべき傑作です。

興行成績

製作費: $8,000,000 (12億円)

興行収入: $43,004,381 (65億円)

推定収支: $35,004,381 (53億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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サブスクリプション

U-NEXT

レンタル・購入

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キャスト

クリント・イーストウッド
クリント・イーストウッド
Frank Morris
パトリック・マクグーハン
パトリック・マクグーハン
Warden
Roberts Blossom
Roberts Blossom
Doc
Jack Thibeau
Jack Thibeau
Clarence Anglin
フレッド・ウォード
フレッド・ウォード
John Anglin
Paul Benjamin
Paul Benjamin
English
ラリー・ハンキン
ラリー・ハンキン
Charley Butts
Bruce M. Fischer
Bruce M. Fischer
Wolf
Frank Ronzio
Frank Ronzio
Litmus
Fred Stuthman
Fred Stuthman
Johnson

スタッフ・制作会社

監督: Don Siegel

脚本: Richard Tuggle / J. Campbell Bruce

音楽: Jerry Fielding

制作: Don Siegel / ロバート・デイリー

撮影監督: Bruce Surtees

制作会社: Paramount Pictures / Malpaso Productions

TMDB ユーザーのレビュー

r96sk
r96sk
★ 9

Gotta feel for this due to the later emergence of <em>'<a href="https://letterboxd.com/film/the-shawshank-redemption/">The Shawshank Redemption</a>'</em> and even <em>'<a href="https://en.wikipedia.org/wiki/Prison_Break">Prison Break</a>'</em>, but <em>'Escape From Alcatraz'</em> still merits its own props as a great film. I love a good prison escape flick, shown by my love for those two aforementioned productions which do improve on the formula; TSR - one of my favourite films, fwiw - particularly must've took a lot of inspiration from this, I noted a fair few similarities. With the cast, you have an excellent performance from Clint Eastwood. Patrick McGoohan fits his role nicely, while Paul Benjamin and Larry Hankin are the best of the rest. I would've liked more development for the characters of Fred Ward and Jack Thibeau, who felt a little tacked on. Elsewhere, Danny Glover makes his acting debut in a tiny, tiny role. I found the pacing to be very good, sure the story I guess is obvious in terms of its direction but I still got tense and edgy whilst watching the escape take place. The ambience of the film is a positive too, with the exception of one moment early on where there's an overly on the nose lightning strike as one of the characters mentions Alcatraz - nothing major, it's a nit-pick and it's my only one so that's a big plus. Interesting to note this was the final collaboration between Eastwood and director Don Siegel, take out <em>'<a href="https://letterboxd.com/film/coogans-bluff/">Coogan's Bluff</a>'</em> and that was an extremely effective partnership - this 1979 release and <em>'<a href="https://letterboxd.com/film/two-mules-for-sister-sara/">Two Mules for Sister Sara</a>'</em> being my favourites.

JPV852
JPV852
★ 8

Seen this one several times and still is a well done and straight forward, well shot, escape-thriller with fine performances all around. Nothing fancy and just enough character development to make you care. **4.0/5**

CinemaSerf
CinemaSerf
★ 7

Clint Eastwood is at the top of his game in this thriller. He is bank robber Frank Morris, Incarcerated in one of America's most impregnable prisons, under the menacing gaze of warden Patrick McGoohan. He quickly concludes that he has little left to live for but escape. Together with twins Clarence and John Anglin (Fred Ward and Jack Thibeau) he puts together an intricate plan to escape their prison by using the utility tunnels to escape the complex then some makeshift inflatables to get across San Francisco bay. The facts of the story mean the ending is never in doubt - insofar as we actually know what the ending was/is! Now that rather detracts from any sense of jeopardy with the screenplay, but is one of the aspects that make Eastwood all the more compelling - his meticulous planning, ingenuity and sheer perspicacity is enthralling - ok, at times a little slow - to watch. He has to deal with the odd internal fracas, most notably from "Wolf" (Bruce Fisher) who would have some fun with him, if you get my drift... but none of that detracts him from his goal. Aside from this mission, Don Siegel offers us quite a detailed glimpse into life behind bars towards the end of this crumbling building's life; and we are exposed to the relentless tedium and despair of many which engenders some sympathy - however evil they may have been to be sent there in the first place. What Siegel doesn't really do, though, is use McGoohan to much effect. His usual less-is-more style of performance is certainly here, but all to infrequently to really build an sense of menace. Still, it's Eastwood's film and he is great...

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