“11歳の少年と女弁護士。二人は1ドルの絆に命をかけた。”
８歳の弟リッキーを連れた１１歳の少年マークは、近くの森の中にあった車の中で自殺をしようとしている男と出会う。男に車内に連れ込まれたマークとリッキーは、マフィアに消された上院議員の死体の隠し場所を打ち明けられる。ふたりはスキをついて逃げ出すが、リッキーは恐怖のあまり、口がきけなくなってしまう。検事局からの執拗な接触を受けたマークは、わずか１ドルで女性弁護士を雇うが…。
製作費: $45,000,000 (68億円)
興行収入: $117,615,211 (176億円)
推定収支: $72,615,211 (109億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: ジョエル・シュマッカー
脚本: アキヴァ・ゴールズマン / Robert Getchell / ジョン・グリシャム
音楽: Howard Shore
制作: アーノン・ミルチャン / Steven Reuther
撮影監督: Tony Pierce-Roberts
制作会社: Alcor Films / Regency Enterprises / Warner Bros. Pictures
Brad Renfro delivers well here as the young lad caught up in bizarre suicide/murder/gangster drama that also gives Susan Sarandon a decent kick at the ball too. He is “Mark”, who is playing with his brother near their trailer home when he encounters a would-be suicide who has plugged the exhaust into his car. He is spotted and thinks that maybe he is due for the same fate, but when the fella just blows his brains out the young “Mark” manages to escape - only to find his brother has gone into shock. Next thing, he is in the hospital and neither the clinicians nor the ever-present FBI are inclined to believe his story, especially when a missing US Senator might be involved in this mystery, too. Luckily for him, though, “Mark”recruits the services of “Reggie” (Sarandon) who makes it clear to the rather blasé agent “Roy” (Tommy Lee Jones) that her young charge is entitled to the protections of due process just like everyone else - even if she, too, reckons the lad is being just a touch judicious about the real turn of events that day. What we also learn is that the deceased was a lawyer who counted a local kingpin amongst his clients, and they too want to make sure the boy knows nothing - or certainly that he doesn’t tell anyone else one way or the other! Things soon become quite perilous for this youngster and his family and with the feds getting even more frustrated with him, who can he turn to? The story is energetically directed and moves along pretty quickly as the frying pan-to-fire scenarios accumulate, dozens of pizzas are ordered and the mortuary’s walk-in freezer finds a timely new use. The conclusion is all a bit rushed, but as a standard cat and mouse thriller, it works well enough.
