キング・コング

I had first seen the outstanding original of 'King Kong', still transcendent and captivating in its then-prescient use of special effects wizardry, then Sir Peter Jackson's recent remake, which was still extremely impressive. I had only heard horrible things about the 70's version, but I have come to admire Guillermin's films that I had watched, and look at that cast, so when I found the blu used, for a good price, I took a chance. It's definitely the runt of the litter, but is by no means a disaster. It's intriguing that they had originally wanted Joseph Sargent to direct with Peter Falk starring, and that Meryl Streep was considered for the role that eventually went to Jessica Lange. The changes they made to update Kong for the seventies were intriguing (as they wanted the script to be completely different from the Cooper/Schoedsack masterpiece), and I'm left curious, had Sir Peter Jackson chosen to make Kong a 21st-century schizoid apeman instead of doing a period piece, how that would have transpired. Even being Canadian, seeing the Twin Towers of the World Trade Center made me wistfully nostalgic. The only part of the film that was excruciating to watch was when Kong is made to perform for the American Bicentennial festivities, and at the ending, I was curious how Lange got down from the rooftop of one of the towers so fast. The answer probably lies on the cutting room floor, and the editing was probably rushed for release date, so no one must have noticed...

No, you're dead wrong. He was the terror, the mystery of their lives, and the magic. 1976 and I had already been spellbound and terrified by Jaws the year previously, I mean I was only 10 years old. Having been introduced by my film loving parents to the original King Kong from 1933, as soon as this update - in colour - was released, I stood in that queue for two hours to see it. I was spellbound, absolutely loved it, telling everyone in school or on the playing fields how great an experience it was. Those things never leave you, it's love of cinema with youthful eyes, and none of us should ever decry those moments as being ignorance. Much later in life, watching this reworking of the Kong story becomes a battle to not extinguish those youthful fires. For now you can see just how poor the effects are, in fact just how much of a cheat (through research) that uber producer Dino De Laurentiis was as he put this onto the screen. Conversely, though, you can now see just how adult much of it was. The pic is full of sexual connotations and imagery. I mean look at Jessica Lange's first scene, she is introduced in a wet dress with erectus nippleus in full effect. I didn't remember that as a 10 year old boy... There's some smart era concerns in the narrative, fuels, discrimination etc, and for sure the array of characters on show are 1970s intelligent. Hell! even the change to helicopter attacks instead of aeroplanes for the finale deserves respect - with the added sombre setting of the WTC twin towers now more attention grabbing - yet it's hard to get away from just how poor the production is. So as we may still shed a tear as the giant beast is felled by his love for a beauty, and we curse mankind for just not leaving him on his island, this is still poor film making that comes close to shattering fond memories of the young movie lovers back in 1976. 5/10

A bit long but not terrible and had some adorably funny moments like seeing a man in an ape outfit tossing around a model train or hiding behind a building to avoid a helicopter. But seriously, the ape costume wasn't bad however his expressions were at times creepy, especially when looking at Dwan. Certainly one of the lesser of the Kong movies (though haven't seen King Kong Lives) but I guess watchable. **3.0/5**

OK, so it was always going to be very difficult to get anywhere near the 1933 version so I suppose the question here is - why bother? Well, they did - and what we have here is a bit of a shocker. The character names have been changed and the plot line updated to suggest this is more about oil exploration than beastie hunting, but thereafter the story is the same as the glamorous "Dwan" (Jessica Lange) becomes the apple of the eye of our eponymous giant ape. Taken deep into his jungle lair, the pair are pursued by Jeff Bridges ("Prescott") and Charles Grodin ("Wilson") who face all sorts of perils as they try to rescue the damsel in distress. The damsel, meantime, is beginning to fall for her over-sized beau and maybe she didn't actually want rescuing? We, on the other hand, certainly do. This takes far too long to get going and once it does, it offers us a very pedestrian interpretation of one of the most iconic love stories in cinema history with acting that is as about as wooden as it gets. The colour photography is first rate, but that also serves to rob the film of much of it's soul. This has a made-for-television look to it that is entirely devoid of any sense of menace or emotion. Lange screams like the best of them at the beginning, but there is nothing of the vulnerable about her characterisation. It doesn't help that the supporting cast are little better than a collection of daytime C-listers delivering a dialogue that really needed quite a bit more work had it hoped to engage us for 2¼ hours. Just because the visual effects made this possible doesn't mean that it should have been made. Judge for yourself, but I doubt you will find it either entertaining nor a patch on the original.

Usually I hate remakes... but I also used to not like DC. And then the heavily bashed New 52 came around, I was talking to a friend of mine, and the Flash in New 52 wasn't his Flash. He hated it out of principal. I think that is what happened here, because the '33 film reached for the stars. The technology they had wasn't all there, and they did their absolute best with it to make the absolute best film they could. And it paid off, sometimes when you shoot for the moon you actually reach it. This King Kong suffers from the 33 film. It's not a bad movie, but it's not really stretching it's neck out there and taking chances like the first one did. And... he's shooting at a distance with a fixed 50, that's one of those Hollywood photography things that irritates the heck out of me, but you can't see the auto advance attachment as well without a telephoto can you Hollywood? You would think that people who work with cameras would take it more seriously in the movie. Anyway, it's not a bad movie. The acting is fine, the plot is fine, the Fx are dated but era fine as well.... and it's entertaining.... ... but it's grainy. Maybe it can be cleaned up in remastering, but they didn't use enough lighting and opted for film a little too fast for quality. And for someone like me, that's irritating as heck too. Photography paid my way though grad school, of I can do better, they can do better. It just isn't as monumental as the 33 film, and that it a high bar that makes it look bad in comparison. But at the end of the day it's still fun and that's what matters.