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In Liebe, eure Hilde
In Liebe, eure Hilde

In Liebe, eure Hilde

20242h 4m★ 7.0戦争ドラマ履歴

あらすじ

No synopsis available.

作品考察・見どころ

この作品は、戦時下の抵抗運動を英雄的な神話としてではなく、あまりにも純粋で切実な愛の記録として描き出しています。主演のリヴ・リザ・フリーズによる、静寂の中に凄まじい意志を宿した演技は圧巻です。彼女が体現する、恐怖に震えながらも大切な人のために踏みとどまる一人の女性の姿は、観る者の魂を激しく揺さぶり、真の勇気とは何かを深く問いかけます。 色彩豊かな映像美と残酷な運命の対比は、不条理な時代にあっても決して消え去ることのない「生」の輝きを鮮烈に際立たせています。単なる歴史劇の枠を超え、極限状態における人間の尊厳と無垢な愛情の強さを謳い上げた本作は、今を生きる私たちに、自由と愛を貫くことの重みを突きつける珠玉の人間ドラマです。

口コミ

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予告・トレイラー

キャスト

Liv Lisa Fries
Liv Lisa Fries
Hilde Coppi
Johannes Hegemann
Johannes Hegemann
Hans Coppi
Sina Martens
Sina Martens
Libertas "Libs" Schulze-Boysen
Lisa Wagner
Lisa Wagner
Anneliese Kühn
Alexander Scheer
Alexander Scheer
Pfarrer Harald Poelchau
Emma Bading
Emma Bading
Ina Ender-Lautenschläger
Lisa Hrdina
Lisa Hrdina
Grete Jäger
レナ・ウルツェンドフスキ
レナ・ウルツェンドフスキ
Liane Berkowitz
Nico Ehrenteit
Nico Ehrenteit
Harro Schulze-Boysen
Steffi Kühnert
Steffi Kühnert
Hebamme

スタッフ・制作会社

監督: Andreas Dresen

脚本: Laila Stieler

制作: Peter Hartwig / Claudia Steffen / Christoph Friedel

撮影監督: ジュディス・カウフマン

制作会社: Pandora Film

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

This story of real characters is told via two timelines. The more menacing tells us that Hilde (Liv Lisa Fries) has been apprehended by the Nazis and imprisoned for assisting her husband Hans (Johannes Hegemann) as he worked for a free Germany in wartime Berlin. The second thread shows us their summer of love. We meet them, and their friends, and follow their love affair through to their wedding and their conceiving the child that she is now doomed to bear in custody. Luckily, despite a fairly terrifying start to her incarceration and the process of her childbirth, Hilde - hitherto a dental nurse - manages to get along with her warder Miss Kühn (Lisa Wagner) and gradually befriend her and ensure that she is permitted to nurture her new born boy. With these two storylines gradually intertwining, we learn that the brutality of their government was not reserved for their foreign enemies, and that any rebellious instincts from their own citizens were robustly dealt with. Fries delivers really quite strongly here, but perhaps because of the way the story unfolds there is really a distinct lack of threat throughout, and I missed that. Indeed, the whole film has a bit of the television drama look to it that I felt fell a bit flat as it progressed. Perhaps it is just assuming that those watching already know how ghastly and toxic the regime was, but the film rather undercooks that element and as such this does struggle to sustain the sense of peril that she must have faced. It’s naturally photographed with their bucolic existence powerfully contrasted with their imprisonment and the narration, sourced from letters, does provide an authenticity to their struggle. This is a good looking piece of cinema, but dramatically it does come up a bit short.

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