韓国で脱北者を支援するキム・ソンウン牧師の携帯電話には、日々何件もの連絡が入る。これまでに１０００人以上の脱北者を手助けしてきた彼が直面する緊急のミッションは、北朝鮮から中国へ渡り、山間部で路頭に迷うロ一家の脱北だ。幼い子ども２人と80代の老婆を含めた５人もの人たちを一度に脱北させることはとてつもない危険と困難を伴う。キム牧師の指揮の下、各地に身を潜める50人ものブローカーが連携し、中国、ベトナム、ラオス、タイを経由して亡命先の韓国を目指す決死の脱出作戦が行われる――。
AIが作品の魅力を深く読み解いています
興行収入: $6,800 (0億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
Ably stitched together using hand-held, mobile phone and other discreetly shot footage, this documentary tells of people desperate to flee the poverty and oppression they face living in North Korea. It principally follows one particular family who must travel, at great peril to themselves, their guides and "brokers" across the Yalu river into China before continuing through Vietnam, Laos and hopefully across the Mekong into the safety of Thailand. Along the way, though, we are also introduced to other people with equally horrendous stories to tell of family stuck in a nation where malnutrition is rife, clean water is scarce and you are even expected to provide your own poo to the government for use as fertiliser! You must regularly dust your obligatorily hung photos of the "Dear Leader" else you're in for a severe beating... Indeed, for much of this film of all that's dystopian about life there, you could be forgiven for thinking it was all a figment in the mind of some fiction writer - except, I doubt they could make it up! There's a strong testament to the perseverance and resilience of the travellers - young and old - as they struggle with the fear and the jungle to make good their escape. What we see here is that, clearly, this is no walk in the park and it seems to me that many more don't make it than do - and that those who did were shocked by the false messages being conveyed to the outside world by their erstwhile leaders. The intimate nature of the photography and the simple evocative narrative work well here, too, and by midway through I genuinely felt invested in the survival and prosperity of these fundamentally decent people who were just "born in the wrong country"
In today’s world, it’s almost unfathomable that there are places that exist on this planet that operate on the principles of unbridled cruelty, deliberate deception and mass brainwashing, with even the slightest of infractions capable of leading to banishment to remote gulags, brutal beatings and even savage public executions. However, such are the conditions of everyday life in North Korea, a paranoid, ruthless regime that doesn’t hesitate to inflict such indignities on its population and deprive residents of knowledge of anything beyond its borders. In a United Nations human rights report, the unthinkable tactics employed here have been described as being on par with those that were used in Nazi Germany. So it’s no wonder there are many who want to escape this harsh reality – that is, at least among those who are able to see beyond the artifice of the false utopian picture that officials have painted of their sorrowful nation. Getting out is far from easy, however, a harrowing venture that often requires defectors to flee northward to China and then maneuver through the challenging terrain of several neighboring Asian countries rather than simply crossing into nearby democratic South Korea, a sanctuary walled off by a de facto combat zone boobytrapped with countless land mines. Seeing what refugees must endure is the aim of documentarian Madeleine Gavin’s latest offering, a compilation of defector stories, including those who have succeeded in escaping and those attempting to do so. The latter are compellingly filmed with firsthand, on-the-ground footage, with no reenactments, showing in detail the ordeals they must go through to make their flights to freedom, sometimes successful, sometimes not. In the process, the film also provides audiences with a concise yet comprehensive history of how North Korea reached this point while revealing some little-known troubling secrets about everyday life in this mysterious land, many of which most outsiders have probably never heard of, let alone seen. Because of this, some of the picture’s imagery may be considered quite disturbing, especially for sensitive viewers, so those who are easily upset by such troubling visuals should take note. Nevertheless, this BAFTA Award-nominated release is an important piece of filmmaking that those outside this inscrutable enclave should know about – and hope that the world can help to overcome.
