FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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ミーン・ガールズ
ミーン・ガールズ

ミーン・ガールズ

20041h 37m★ 7.2ドラマコメディ
U-NEXT

あらすじ

動物学者の両親を持つケイディは、ずっとアフリカで暮らしていたが、16歳になってアメリカ合衆国のシカゴの郊外に引っ越してきた。新しい環境に馴染めるかと心配する両親をよそに楽天的なケイディだったが、いざ学校に行ってみると、そこは細かいルールが幅を利かす世界だった。すぐにジャニスとダミアンという友人が出来るも、ケイディは戸惑うばかり。そんなある時、同級生レジーナをクイーンとする人気グループ"Plastics"に気に入られる。 <リンジー・ローハン主演の学園コメディ。保護者指導教員であるロザリンド・ワイズマンのノンフィクション『女の子って、どうして傷つけあうの?(Queen Bees and Wannabes)』が原作となっている。>

作品考察・見どころ

本作の魅力は、単なる学園コメディを超えた鋭利な人間観察眼にあります。ティナ・フェイの脚本は、スクールカーストという弱肉強食の世界を毒気たっぷりに描き、観る者の承認欲求を鋭く突いてきます。レイチェル・マクアダムスが見せる圧倒的な威圧感と少女たちの心理描写は、現代社会の人間関係の本質を鮮やかに照射しています。 また、表層的な対立の奥にある自己愛の脆さへの洞察も本作を唯一無二にしています。誰かを貶めることで保つ自尊心の虚しさを描きつつ、最終的に個の在り方を肯定する着地は実に見事です。実力派キャストによる絶妙な掛け合いが、笑いの中に潜む普遍的な真理を際立たせており、その鮮烈なメッセージ性に誰もが心を射抜かれるはずです。

興行成績

製作費: $17,000,000 (26億円)

興行収入: $130,195,052 (195億円)

推定収支: $113,195,052 (170億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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U-NEXT

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キャスト

リンジー・ローハン
リンジー・ローハン
Cady Heron
レイチェル・マクアダムス
レイチェル・マクアダムス
Regina George
リジー・キャプラン
リジー・キャプラン
Janis Ian
レイシー・シャベール
レイシー・シャベール
Gretchen Wieners
アマンダ・サイフリッド
アマンダ・サイフリッド
Karen Smith
Daniel Franzese
Daniel Franzese
Damian
Jonathan Bennett
Jonathan Bennett
Aaron Samuels
Rajiv Surendra
Rajiv Surendra
Kevin Gnapoor
ティナ・フェイ
ティナ・フェイ
Ms. Norbury
ティム・メドウス
ティム・メドウス
Mr. Duvall

スタッフ・制作会社

監督: マーク・ウォーターズ

脚本: ティナ・フェイ / Rosalind Wiseman

音楽: Rolfe Kent

制作: ローン・マイケルズ / Jill Messick

撮影監督: Daryn Okada

制作会社: Broadway Video / Paramount Pictures / M.G. Films

TMDB ユーザーのレビュー

talisencrw
talisencrw
★ 8

I hardly ever watch contemporary American comedies in which most of the top cast are women (I still haven't seen either 'Clueless', 'Bridesmaids' or 'Heathers', for example), but recently I enjoyed 'The Devil Wears Prada', I have liked both Lindsay Lohan (especially in 'Bobby' and 'The Prairie Home Companion') and Rachel McAdams (most significantly in 'Redeye' and 'Passion'), so knowing that one of my favourite SNL comediennes, Tina Fey, both wrote and co-starred in this, made me give it a shot. It being critically lauded by some male cinephiles I trust didn't hurt matters, either. It was full of laughs and subtly got across its points about 21st-century American society and of the growing pains for young women in its high school shenanigans. 'Mean Girls' is definitely worth the trouble to find and to give a try yourself. It left me enthusiastically wishing Ms. Lohan can sort out her personal troubles and get back to acting, where she belongs.

Gimly
Gimly
★ 9

_Mean Girls_ has absolutely no business being as phenomenal as it is. None at all. If you've read many enough my reviews to get any sort of indication as to the sort of cinema I am in to, then you could be forgiven for assuming I wouldn't be a fan. After all, _Mean Girls_ is about as far away from my wheelhouse as a movie could conceivably be. But I fucking **love** it. And I honestly can't tell you why. Every single piece of _Mean Girls_ examined in isolation, is something I despise. Every trope, formula, format, cliche, device and style choice is something I have ragged on a hundred times before in different reviews, but for whatever reason, I cannot put _Mean Girls_ down. I don't think a single year has gone by since I first saw it in the late '00s that I haven't rewatched it. Usually, multiple times a year. Inexplicable, but there it is. _Final rating:★★★★½ - Ridiculously strong appeal. I can’t stop thinking about it._

r96sk
r96sk
★ 9

Surprisingly a lot of fun! I wouldn't have predicted me liking <em>'Mean Girls'</em>, but I actually thoroughly enjoyed it. The first half is stronger than what follows and it does wrap up a bit too harmoniously, though all in all it has good intentions and is unexpectedly consistently amusing. Lindsay Lohan appears in a similar role to what I've seen elsewhere from her across this era, nevertheless she does put in a very good performance. Rachel McAdams is excellent, strangely likeable despite playing an unlikeable character. The rest of the cast are pleasant as well, e.g. Lizzy Caplan, Tina Fey and Tim Meadows. Interested to see how the sequel and remake turned out. As for this one, it's entertaining!

tmdb51616167
tmdb51616167
★ 8

Having just watched the 2024 version for the first time, I must admit that the 2004 original film surpasses the new musical by a significant margin. The depth of the original movie and its unwavering commitment to the storyline, without unnecessary deviations, truly set it apart. While the older film may lack character development for most of the cast and at times feels a bit rushed compared to the musical, it excels in creating strong connections and allowing the characters to evolve in a natural and engaging manner. The original film's cast not only delivers humor but also showcases seamless chemistry. The movie successfully concludes with a satisfying transition from chaos to a harmonious society, a thematic element that seems to be missing in the musical adaptation. Despite some minor flaws, the original film's well-developed characters and cohesive casting result in a seamless and enjoyable viewing experience.

CinemaSerf
CinemaSerf
★ 7

"Cady" (Lindsay Lohan) has spent much of her life being home schooled by her scientist parents in the African wilderness. Maybe that ought to have prepared her for her relocation to an American High School where the dog eat dog attitude is just as prevalent. She alights on the two school oddballs - "Janis" (Lizzy Caplan) and her "almost too gay to function" pal "Damian" (Daniel Franzese) who guide her through the tribes of people at the school. The ones to be avoided at all costs are the "Plastics" - vain and vacuous girls led by "Regina" (Rachel McAdams). When "Cady" is invited to join them for lunch one day, they all sense a chance for some mischief-making! She happens to sit behind the school heart-throb "Aaron" (Jonathan Bennett) who seems as keen on her as she on him, but wait! He is the ex of her new found bff. Is he off limits or maybe "Regina" could even help her courtship? Well the scene is now set for an acerbically satirical look at all things teenage. There's angst a-plenty, vengeance, revenge, a thoroughly enjoyable degree of bitchiness and by mid way through it's quite hard to pick any of them to rescue from an earthquake. Lohan and McAdams are in their element her and Tina Fey's adaptation of Rosalind Wiseman's sarcasm-ridden novel swipes at just about everyone from the geeks to the jocks, the bimbos to the brainiacs. There are elements of stereotyping, but put together in this melting pot of attitude and aptitude, they work to serve up an entertaining look at an environment where hormones are raging and being popular is essential - however many people you have to tread upon, cruelly if required, to attain status. It's exaggerated, sure, but there's something real about the whole thing that adds to it's realism and there's even a bit of the real Janis Ian ("At 17") for the eagle-eared to hear, too. Good fun.

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