FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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Rotting in the Sun
Rotting in the Sun

Rotting in the Sun

20231h 51m★ 6.7コメディ謎スリラー

あらすじ

No synopsis available.

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作品考察・見どころ

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興行成績

興行収入: $14,707 (0億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

Sebastián Silva
Sebastián Silva
Sebastián Silva
ジョーダン・ファーストマン
ジョーダン・ファーストマン
Jordan Firstman
Catalina Saavedra
Catalina Saavedra
Señora Vero
Mateo Riestra
Mateo Riestra
Mateo
Martine Gutierrez
Martine Gutierrez
Martine
No Image
Alberto Rafael Cortés
Beto
No Image
Anajo Aldrete
Renata
No Image
Gustavo Melgarejo
Lalo
Juan Andrés Silva
Juan Andrés Silva
Juan
No Image
Beltrán Horisberger
Mexican Daddy

スタッフ・制作会社

監督: Sebastián Silva

脚本: Sebastián Silva / Pedro Peirano

音楽: Nascuy Linares

制作: Eugene Kotlyarenko / Adam Donald / Ant Gentile

撮影監督: Gabriel Díaz

制作会社: Icki Eneo Arlo / Spacemaker Productions / Hidden Content / The Lift / Diroriro

TMDB ユーザーのレビュー

Brent Marchant
Brent Marchant
★ 7

When an overwrought, angst-ridden, drug addicted filmmaker (Sebastián Silva playing a fictional version of himself) unexpectedly meets a wacky, unhinged comedian/social media influencer (Jordan Firstman playing a fictional version of himself) at a gay Mexican beach resort, the troubled director does all he can to distance himself from his new acquaintance when he becomes interminably annoying, especially in his incessant, unfocused pitches for collaborating on a new movie project. But, when the financially strapped filmmaker returns to his home in Mexico City, he reluctantly relents on the comic’s offer when all his other production proposals are turned down by would-be backers. He thus invites his new writing partner to come stay with him while they hammer out the script, but, upon his collaborator’s arrival, he finds the director has mysteriously disappeared. What ensues is a humorous gay comedy-mystery in which clues about the disappearance slowly emerge. At the same time, however, the story also delves into some surprisingly mature and insightful themes, developments very much in contrast to the film’s screwball narrative and its somewhat manic opening act. Writer-director Silva’s latest thus presents viewers with an intriguing combination of plot elements that one might think shouldn’t belong in the same picture but that work surprisingly well together. While it’s true that the ending seems somewhat abrupt and that some segments run on a little too long (particularly in the first half-hour), with a few others that could have been omitted entirely, the majority of the material nevertheless holds together well, making for an entertaining, if somewhat offbeat, time at the movies. Sensitive viewers are strongly cautioned, however, that the film features numerous scenes with explicit depictions of gay male sexuality, so those who are easily given to offense may wish to pass on this unrated release. Those considerations aside, though, this is a film that’s more than it might superficially seem, particularly the further one gets into the story. It’s quite an eye-opening ride into a world that many may be unfamiliar with, but it’s also one that simultaneously makes us laugh and makes us think – a rare combination to be found in the same picture, to be sure.

CinemaSerf
CinemaSerf
★ 7

Most folks here just use their own names, so it's easy to follow the characterisations as dysfunctional, ketamine-loving, "Sebastián" (Silva) encounters the drowning "influencer" Jordan Firstman in trouble just off a nudist beach. Rescued and grateful, the doggy-paddler invites his new saviour to hang out with him and his collection of "accommodating" gay groupies. This isn't quite his scene though, especially when his buddy starts posting stuff that "Sebastián" doesn't really want seen. Anyway, Firstman offers him a role working on his new project and decides to move in while they work it through. Silva has a lot to do on this film so he cleverly arranges that with the help of the maid "Vero" (Catalina Saavedra) and a rather ugly looking brown sofa, he manages to write himself out of the rest of this, increasingly mysterious, little drama that for Jordan could now be called "Where's Sebastián?". Now we all know what has happened as we continue to follow the almost farcical consequences as tracks have to be covered and Firstman vacillates between annoyed to concerned to perplexed to... You get the drift. If you like his style of comedy and delivery, then you'll enjoy this rather ripe and quick-fired look at all things media, gay drug-induced and shallow - indeed, there are few stereotypes left unharmed by this - but it's never dull and though the ending is distinctly weak, I thought this was quite a fun film that shies away from nothing - so don't watch if you've an allergy to male genitalia and beach shagging.

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