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The Dance of Life
The Dance of Life

The Dance of Life

19291h 55m★ 5.5ロマンスドラマ音楽

あらすじ

No synopsis available.

作品考察・見どころ

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スタッフ・制作会社

監督: John Cromwell / A. Edward Sutherland

脚本: Benjamin Glazer

撮影監督: J. Roy Hunt

制作会社: Paramount Pictures

口コミ

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配信サービス

キャスト

Hal Skelly
Hal Skelly
Ralph 'Skid' Johnson
Nancy Carroll
Nancy Carroll
Bonny Lee King
Dorothy Revier
Dorothy Revier
Sylvia Marco
No Image
Ralph Theodore
Harvey Howell
Charles D. Brown
Charles D. Brown
Lefty Miller
Al St. John
Al St. John
Bozo
May Boley
May Boley
Gussie
Oscar Levant
Oscar Levant
Jerry Evans
No Image
Gladys DuBois
Miss Sherman
James Quinn
James Quinn
Jimmy

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

“Skid” (Hal Shelly) is a journeyman Vaudeville performer who meets dancer “Bonny” (Nancy Carroll) on the circuit and they fall in love. They marry and make a go of things on the road until he gets spotted and next thing he’s on Broadway whilst she keeps up with the daily grind. He proves to be a bit of an hit, and pretty quickly is reunited with ex-gal “Sylvia” (Dorothy Revier) who is soon sharing more than just the billing. When “Bonny” finds out she decides that two can play at that game, especially as she is being courted by a wealthy cattleman (Ralph Theodore). Despite his own ghastly behaviour, “Skid” can’t bear the thought that she could be with someone else, and so takes rather heavily to the bottle. That slippery slope sees him fall from grace, and it seems his only hope is that “Bonny” might actually forgive him - but why should she? Will she? Fans of song and dance cinema will enjoy this, even though the embryonic production and some distinctly ropey choreography do leave them looking a bit rough round the edges. That said, though, there are still some good numbers here, like “True Blue Lou” to compensate for the well travelled rags to riches story that isn’t so hot on the jeopardy front but it does shine a light on the fickleness of fame. This also has the benefit of quite seamlessly marrying the theatrical with the cinematic quite effectively, and though at times that doesn’t always come off, the efforts from Shelly, Carroll and from Revier showcase just how multi-talented people had to be in the 1920s if they had any hope of making a living in this cutthroat business whilst still delivers plausible - if not always so likeable, characters. It is a bit routine, sure, but it has a watchable freshness and vitality to it, too.

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