FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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East Is East
East Is East

East Is East

19991h 37m★ 6.5ドラマコメディ

あらすじ

No synopsis available.

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興行成績

製作費: $3,800,000 (6億円)

興行収入: $28,200,000 (42億円)

推定収支: $24,400,000 (37億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

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キャスト

Om Puri
Om Puri
George Khan
Linda Bassett
Linda Bassett
Ella Khan
No Image
Ian Aspinall
Nazir Khan
Jimi Mistry
Jimi Mistry
Tariq Khan
アーチー・パンジャビ
アーチー・パンジャビ
Meenah Khan
No Image
Jordan Routledge
Sajid Khan
Chris Bisson
Chris Bisson
Saleem Khan
Lesley Nicol
Lesley Nicol
Auntie Annie
Emil Marwa
Emil Marwa
Maneer Khan
Raji James
Raji James
Abdul Khan

スタッフ・制作会社

監督: Damien O'Donnell

脚本: Ayub Khan-Din

音楽: Deborah Mollison

制作: Leslee Udwin / Alan J. Wands

撮影監督: ブライアン・トゥファノ

制作会社: Assassin Films / Film4 Productions / BBC

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

It’s early 1970s Britain and “George” (Om Puri) has been running his chip shop in Salford for many years since leaving his home (and wife) in Pakistan. Not long after he arrived after the war, he met and married “Ella” (Linda Bassett) and they’ve had half a dozen children, many of whom are now starting to become eligible for the marriage game. Though he has integrated, up to a point, he is determined to ensure that the traditions of his homeland and his faith are continued with his children. They, on the other hand, are British through and through and over the course of the next ninety minutes we see just how, in various fashions, they begin to rebel against their father’s increasingly puritanical and occasionally violent behaviour towards them and their mother. All against the background of Enoch Powell espousing his “rivers of blood” philosophy, things in this tightly knit family come to an head when the parents of prospective wives/daughters-in-law arrive for a family conference and the wheels all start to come off. It’s a very dark comedy this, and it captures the clashes of cultures and sexes entertainingly as well as quite potently at times. The actors playing the siblings deliver competently enough, but it’s the young snorkel-jacket wearing “Sajid” (Jordan Routledge) who steals the scenes as his youthfulness gives his character (and us) an unique observation point from which to watch his family turn from two adults with children into one all adults and just two children. It takes a swipe at arranged marriages, pride, snobbery and bloody-mindedness but it also pays respect to the older man’s traditions and illustrates with a degree of sympathy just how difficult he found it to adapt to the profound changes that were emerging around him and about which he had a frustrating lack of control. It’s not exactly laugh out loud funny, but it’s still an enjoyable and pithily scripted and delivered film that has more than a ring of truth to it.

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