FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
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ハッスル&フロウ
ハッスル&フロウ

ハッスル&フロウ

20051h 56m★ 7.1犯罪ドラマ音楽

あらすじ

街角でポン引き(=ハッスル)をしている男が、かつて抱いていたラッパーへの夢を再燃させる……。チンピラが人生を変えようとラスト・チャンスに賭ける姿を、ヒップホップ・ナンバー満載で綴り上げたサクセス・ドラマ。

作品考察・見どころ

AIが作品の魅力を深く読み解いています

興行成績

製作費: $8,000,000 (12億円)

興行収入: $23,563,727 (35億円)

推定収支: $15,563,727 (23億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

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予告・トレイラー

配信サービス

レンタル・購入

Amazon Video
Google Play Movies
FOD

キャスト

Terrence Howard
Terrence Howard
Djay
Anthony Anderson
Anthony Anderson
Key
Taryn Manning
Taryn Manning
Nola
タラジ・P・ヘンソン
タラジ・P・ヘンソン
Shug
DJ Qualls
DJ Qualls
Shelby
リュダクリス
リュダクリス
Skinny Black
Paula Jai Parker
Paula Jai Parker
Lexus
Elise Neal
Elise Neal
Yevette
Isaac Hayes
Isaac Hayes
Arnel
Juicy J
Juicy J
Tigga

スタッフ・制作会社

監督: Craig Brewer

脚本: Craig Brewer

音楽: Scott Bomar

制作: John Singleton / Dwight Williams / Stephanie Allain

撮影監督: Amy Vincent

制作会社: New Deal Productions / Crunk Pictures / Homegrown Pictures

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

Terrence Howard really does put his heart and soul into this gritty story of an aspiring man who wants to leave his pimping days behind him and become an hip-hop MC. Living in Memphis, the city has an huge musical tradition but his own personal baggage threatens to drag him down at every opportunity as he tries to attach himself to visiting superstar "Skinny Black" (Ludacris). He knows that this is likely to be his last opportunity to escape the cycle of hopelessness he faces, but can he stay focused, on-course and away from crime long enough to prove his worth? The main characterisation of "Djay" is strongly portrayed here with guts and a degree of viscerally plausible credibility that really works at times. Sadly, though, the bulk of the rest of it resorts to more aggressive and would mouthed stereotyping that reinforces so many pejorative views of how African American men treat each other and the women (and children) in their lives. It's that very sad predictability that rather ruined the potency of Howard's effort here, and by mid-way through I can honestly say I couldn't have cared less whether he succeeded or not. Too many lives had already been ruined by his previous behaviour, so why should he escape the consequences of a vicious circle he had quite an hand in creating? There's plenty for fans of the musical genre to get their teeth into as that offers a boxing-like conduit for those without academic credentials to use their more creative talents to escape their torpor and find hope. It may well resonate more in the USA, but elsewhere it can come across as a story of an unlikeable man who played in the dog-eat-dog world until it no longer suited him, then tried to escape being eaten himself.

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