我、邪で邪を制す
あらすじ
自分が台湾で3番目の最重要指名手配犯であることを知った逃亡犯。野心に燃える彼は、上位にのし上がろうとトップ2人に立ち向かう。
作品考察・見どころ
興行成績
興行収入: $91,608,950 (137億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
自分が台湾で3番目の最重要指名手配犯であることを知った逃亡犯。野心に燃える彼は、上位にのし上がろうとトップ2人に立ち向かう。
興行収入: $91,608,950 (137億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
The rather oddly titled The Pig, The Snake and the Pigeon, is advertised as a black crime comedy but its more than a little hard, to swallow that label. This is essentially an extremely violent revenge crime thriller. Revenge, in this context, finds its motivation, in the perverse pursuit of notoriety, by a main character, who wants to become the first (as opposed to the third), most wanted fugitive, in Taiwan. Counter balancing this gruesome gangster tale is a "be careful what you wish for" lesson. A lesson that underlines the ultimate harm and futility of crime. In so doing, this tale reasserts the role of the Taiwanese state, as the gatekeeper of peace, order and civility. Well acted and directed, this film is inherently watchable but it is also at times, disturbingly violent. Its political message is hard to ignore, not to mention, difficult to accept, at face value, given the states uncivilised solution to serious crime, is the murder of the murderer. In summary, quality acting, decent pacing, an intriguingly original back story off set by violence that I personally felt, could have been toned down. The blatant political message embedded in this tale, feels more than a little hypocritical, too. Murder is still murder, no matter who carries it out.
