FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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Typist Artist Pirate King
Typist Artist Pirate King

Typist Artist Pirate King

20231h 48m★ 6.8ドラマコメディ

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

実在の表現者の魂を辿る本作は、精神の自由を渇望する全ての人への賛歌です。世界を異端の視線で捉える彼女の脳内を具現化したような、鮮烈で独創的な映像表現は圧巻。日常の風景がアートへと変貌する瞬間の美しさは、観る者の価値観を根底から揺さぶる力を持ちます。 主演のモニカ・ドーランが見せる繊細かつ大胆な演技は、人間の尊厳を力強く体現し、ケリー・マクドナルドとの静かな対話劇は孤独な魂の共鳴を鮮やかに描き出しました。人間という存在の多面性と、理解されがたい才能への深い慈しみを感じさせる、唯一無二の愛すべき傑作です。

口コミ

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キャスト

Monica Dolan
Monica Dolan
Audrey Amiss
ケリー・マクドナルド
ケリー・マクドナルド
Sandra Panza
Gina McKee
Gina McKee
Dorothy
Kieran Bew
Kieran Bew
Gabe Patier
クリスティン・ボトムリー
クリスティン・ボトムリー
Joan
No Image
Judith Chandler
Yoga Teacher
No Image
Gary Bates
Vicar
No Image
Orla Cottingham
Clairvoyant
No Image
Dawn Butler
Waitress
Kya Brame
Kya Brame
Pouting Pamela

スタッフ・制作会社

監督: Carol Morley

脚本: Carol Morley

音楽: Carly Paradis

制作: レノ・アントニアデス / Jane Campion / Ameenah Ayub Allen

撮影監督: Agnès Godard

制作会社: Cannon and Morley Productions / MBK Productions

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

This is actually quite a difficult film to review. I thought the performances here, especially from Monica Dolan as "Audrey" but also of Kelly Macdonald as "Sandra" were really quite poignant. The former is a lady with mental health issues, the latter is her psychiatric helper. "Audrey", who believes she is terminally ill, has moments of amazing lucidity followed by moments of violent temper tantrums and almost hallucinatory conversations with people real and imaginary whilst "Sandra" finds herself drawn more into her turbulent world, and more determined to try to make a difference. "Audrey" makes frequent reference to her friend "Dorothy" (Gina McKee) and so "Sandra" agrees to drive her to try and find her - in the hope that it might offer some degree of explanation and maybe even closure for her clearly pained companion. Along the way they push each other to the limits of exasperation and frustration, leaving "Sandra" emotionally exhausted but still undaunted after a period in which most of us, I suspect, would have jumped ship. The story itself, and the production I liked much less. It cannot have had much of a budget and in my opinion too much was left to the roller-coaster characterisations, abandoning the look and feel of the film to that rather basic, filmed early on a Sunday morning, style. It's twenty minutes too long and is extremely dialogue heavy. Whilst some of that is entertaining as well as challenging, it also never gives the audience time for the odd breather so we can actually absorb some of the information we are being pretty relentlessly bombarded with. It's thought provoking and don't expect an easy watch - do expect a BAFTA nomination for Monica Dolan though, she's very good.

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