FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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“鬼才M.ナイト・シャマラン監督が仕掛ける 予測不能な罠”

20241h 45m★ 6.2犯罪ホラースリラー

あらすじ

溺愛する娘ライリーのために、彼女が今夢中の世界的アーティスト、レディ・レイヴンが出演するアリーナライブのプラチナチケットを手に入れたクーパー。父親と会場に到着したライリーは、最高の席に大感激。遂にライブが幕を開け、3 万人の観客が熱狂に包まれる中、彼は異変に気付く。異常な数の監視カメラ、会場内外に続々と集結する警察…普通ではない。口の軽いスタッフから「ここだけの秘密」を聞き出すクーパー。指名手配中の切り裂き魔についてタレコミがあり、警察がライブというトラップを仕組んだという。だが、その世間を騒がす残虐な殺人鬼こそ——優しい父親にしか見えないクーパーだった!

作品考察・見どころ

本作の真髄は、観客を「追われる側」の捕食者の視点に据える大胆な構成にあります。華やかなコンサート会場が逃げ場のない檻へと変貌する演出は圧巻。静かな焦燥感が溢れ出し、観る者の倫理観を揺さぶる心理的な閉塞感こそが最大の魅力です。 ジョシュ・ハートネットが体現する、慈愛に満ちた父と冷徹な怪物の二面性は、息を呑むほどの緊迫感を放っています。日常に潜む異常性を突き詰め、仮面の裏側を暴いていくプロセスは極めてスリリング。シャマラン監督特有の奇抜な視点が光る、まさに映画でしか味わえない濃密な心理戦を堪能できる一作です。

興行成績

製作費: $30,000,000 (45億円)

興行収入: $83,677,281 (126億円)

推定収支: $53,677,281 (81億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

ジョシュ・ハートネット
ジョシュ・ハートネット
Cooper
アリエル・ドノヒュー
アリエル・ドノヒュー
Riley
サレカ・シャマラン
サレカ・シャマラン
Lady Raven
アリソン・ピル
アリソン・ピル
Rachel
ヘイリー・ミルズ
ヘイリー・ミルズ
Dr. Josephine Grant
ジョナサン・ラングドン
ジョナサン・ラングドン
Jamie
Mark Bacolcol
Mark Bacolcol
Spencer
Marnie McPhail
Marnie McPhail
Jody's Mom
キッド・カディ
キッド・カディ
The Thinker
Russ
Russ
Parker Wayne

スタッフ・制作会社

監督: M・ナイト・シャマラン

脚本: M・ナイト・シャマラン

音楽: Herdís Stefánsdóttir

制作: Ashwin Rajan / M・ナイト・シャマラン / Marc Bienstock

撮影監督: サヨムプー・ムックディプローム

制作会社: Blinding Edge Pictures

TMDB ユーザーのレビュー

Louisa Moore - Screen Zealots
Louisa Moore - Screen Zealots
★ 2

Writer / director M. Night Shyamalan‘s most annoying filmmaking traits are on full display in his latest movie “Trap,” a psychological thriller that initially promises an engaging narrative but ultimately collapses into the void of ridiculous twists and turns. This is far from Shyamalan’s finest hour, and the film rambles and sputters into one of his most unbelievable and absurd revelations yet, one that is so inanely dumb that it’s impossible to suspend disbelief. The story follows everyday dad Cooper (Josh Hartnett) attending an afternoon concert with his teenage daughter Riley (Ariel Donoghue). Lady Raven (Saleka Shyamalan) is the hottest ticket in town, and Cooper splurged on floor tickets to make his little girl happy. Things seem fine until they’re not, and it’s revealed that Cooper is actually a serial killer nicknamed Butcher. Turns out the cops have set up a complex police blockade at the show with the intent on capturing him, and it’s clear he has no way out. Forced to use his wits to evade and escape, Cooper comes up with a series of clever distractions in order to keep his deep, dark secret hidden away from the FBI agent and criminal profiler in charge (Hayley Mills). The first half of the movie is compelling enough, with a tense atmosphere and a buildup that hints at a plot that could have some sophisticated intricacies. It’s fun to watch how Cooper’s mind works, and it’s uncomfortable once you realize you’re rooting for a serial murderer to escape. This is done reasonably well and is the best part of the movie. The second half, however, derails spectacularly. The story becomes increasingly convoluted and nonsensical, introducing a series of ludicrous twists that undermine any semblance of coherence. This is bad even for Shyamalan. Hartnett does a great job with his performance and is tasked with playing two men in one. He’s believable as the calm and goofy dad, but also switches to a dark psychopath on a dime. He’s by far the best part of the movie. Of course, while Harnett’s performance is one of the most enjoyable aspects, one of the film’s most glaring flaws is the weak turn from Saleka Shyamalan. I don’t want to pick on her as she is the director’s own daughter, but the forced nepotism reeks here. Saleka can’t act, she’s a mediocre singer and songwriter (a half dozen of her original songs are prominently featured during a majority of the film’s run time), and the movie comes across as being made solely to showcase M. Night’s kid while trying to make her a star. Her performance is as unconvincing as Harnett’s is credible. With a contrived and nonsensical plot, bad performances, and an illogical twist that will leave you more frustrated than entertained, “Trap” is another disappointing effort from a director who could do so much better. By: Louisa Moore / SCREEN ZEALOTS

r96sk
r96sk
★ 6

Quite the nosedive! I actually enjoyed the opening chunk of <em>'Trap'</em>, everything at the music concert is fairly well done and kept the intrigue alive for me. However, once events leave the arena the movie absolutely bombs its way to the finish. The last portion of the film is terrible viewing, it felt like it just kept going and going and going. There are plot holes aplenty, nonsensical 'twists' and character decisions/abilities. Cooper, played finely to be fair by Josh Hartnett, is absolutely some sort of big shot in his 'line of work', though makes some dumb mistakes. Though he is apparently capable of teleportation, based on one scene involving a limo. I'm not someone who needs every inch of a movie to make sense, I can enjoy something that's simply an entertaining watch; even with poorly crafted elements elsewhere in the movie. This, unfortunately, ends up being just bad. That is a shame, because I honestly did like (albeit mildly) the stuff at the venue. Very surprised to see the fairly good reception this has received so far on a few sites, I would not have predicted that but, hey, what do I know?

CinemaSerf
CinemaSerf
★ 6

Well the best bits of this are most definitely in the trailers! "Cooper" (Josh Hartnett) takes his daughter "Riley" (Ariel Donoghue) to see a "Lady Raven" (Saleka Shyamalan) concert only to find that when they are in the arena, the feds descend on the place like a ton of bricks and thanks to some secret information obtained from the guy who sells the T-shirts, we discover that it's all an elaborate trap to ensnare the "Butcher". As the name suggests, he's a brutal serial-chopper whom they know is at the concert. With the net tightening, we begin realise quickly who the identity of the murderer is and so now have to sit through an increasingly preposterous hundred minutes of cat and mouse with Hayley Mills hoping to catch her man. At times this does generate a bit of menace as he sees the openings to flee being systematically closed in front of him, and with his enthusiastic daughter in tow, his options are increasingly limited but in the end it's all peters out into a rather ridiculous ending that I found rather weak, implausible and disappointingly unoriginal. Hartnett just hasn't the manner to convince as the baddie and there's way too much concert-style material that suggests Miss Shyamalan asked her dad if she could have a film for Christmas. Too long and too feeble, sorry.

JorryBen
JorryBen

"Trap" is an intense thriller that keeps viewers on the edge of their seats with its gripping plot and unexpected twists.

TheSceneSnobs
TheSceneSnobs
★ 7

I was hooked by the premise of Trap from the moment I saw the trailer. The idea of a serial killer bringing his daughter to a Taylor Swift-like concert, only for it to be a police trap to capture him, immediately grabbed my attention. I’ve always enjoyed M. Night Shyamalan’s films, particularly when he reveals the twist right from the beginning. With Josh Hartnett in the role of the serial killer, I was eager to see how this intriguing setup would unfold. The premise of Trap is undeniably captivating, setting up a high-stakes thriller from the outset. The concept of a seemingly innocent concert turning into the backdrop for a police sting operation is both original and suspenseful. Josh Hartnett delivers a terrific performance, portraying the serial killer with a chilling mix of charisma and cold calculation. His ability to switch between a doting father and a remorseless killer is unsettling and adds layers to his character. For instance, a scene where he interacts lovingly with his daughter moments before revealing his sinister intentions showcases Hartnett’s range and adds to the film’s tension. His portrayal keeps the audience on edge, wondering how far his character will go and how the situation will unravel. Trap is a movie that requires some suspension of disbelief, as it occasionally stretches the bounds of plausibility. However, if you allow yourself to get lost in the story, the film is an intense thriller from beginning to end. The pacing is well-handled, with the tension building steadily as the plot unfolds. That said, the film does have its share of plot holes and moments that strain credibility. There are a few instances where the suspension of disbelief is pushed to its limits, such as the police’s elaborate setup and the killer’s seemingly superhuman ability to evade capture. These elements can be distracting, particularly in the final act, where the film becomes somewhat redundant. The climax, while thrilling, feels repetitive and doesn’t fully capitalize on the strong buildup that precedes it. Despite these issues, I walked away from Trap having enjoyed it enough to consider watching it again. The film is a fun, intense thriller that keeps you engaged throughout, provided you’re willing to overlook some of its more implausible moments. Josh Hartnett’s performance is a standout, and the film’s unique premise is executed well enough to deliver a satisfying, if not entirely flawless, viewing experience. If you’re a fan of Shyamalan’s work or enjoy thrillers that blend suspense with psychological drama, Trap is worth your time.

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