The Patent Leather Kid
あらすじ
No synopsis available.
作品考察・見どころ
AIが作品の魅力を深く読み解いています
スタッフ・制作会社
監督: Alfred Santell
脚本: Rupert Hughes / アデラ・ロジャーズ・セント・ジョンズ
制作: Alfred Santell
撮影監督: Arthur Edeson / Ralph Hammeras
制作会社: First National Pictures
No synopsis available.
AIが作品の魅力を深く読み解いています
監督: Alfred Santell
脚本: Rupert Hughes / アデラ・ロジャーズ・セント・ジョンズ
制作: Alfred Santell
撮影監督: Arthur Edeson / Ralph Hammeras
制作会社: First National Pictures
Whilst I did rather enjoy watching this, it's not really all that good. Richard Barthelmess is the eponymous "Kid: - a boxer of some skill who gets distracted at one of his fights by the pretty but fickle "Curley" (the rather dewy eyed Molly O'Day). They sort of hook up, much to the detriment of his career and to the chagrin of his loyal trainer "Puffy" (Arthur Stone) and for far more venal reasons by his manager "Stuke" (Matthew Betz) who having promised to help his avoid the draft, does nothing of the kind. So, off he goes to training camp and thence to the fields of France where, whilst not exactly cowardly, he isn't exactly at the front of the battle lines either - until, that is, tragedy strikes and he rises to the occasion. "Curley", meantime, has also come to France - as a nurse - and when the two meet up, they try to salvage something from their relationship as she concludes that she does actually love him (and not her soldier beau "Breen" (the handsome Lawford Davidson) - who also happens to be the "Kid's" commanding officer - small world!)... Barthelmess looks every inch the perfectly vain, dapper, character his is supposed to be but the love story just doesn't really work for me. There is no sense passion from either. There are ample good looking boxing and battle scenes, but they seem to be used as padding more often than not for 150 minutes is just far too long to tell this really quite insubstantial story. Some of the humour is a bit "of it's time", as we say nowadays - but rather than being offensive is just a bit crass. The star received an Oscar nomination for this (and "The Noose" (1928")) in the first ever Academy Awards and that did his career no harm, but this film as it ages has become something more for historians of classic cinema, than - classic cinema.
