

ロードハウス/孤独の街
あらすじ
No synopsis available.
作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
製作費: $15,000,000 (23億円)
興行収入: $30,100,000 (45億円)
推定収支: $15,100,000 (23億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。


No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $15,000,000 (23億円)
興行収入: $30,100,000 (45億円)
推定収支: $15,100,000 (23億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Rowdy Herrington
脚本: R. Lance Hill / Hilary Henkin
音楽: マイケル・ケイメン
制作: Tim Moore / ジョエル・シルヴァー / Steve Perry
撮影監督: Dean Cundey
制作会社: United Artists / Star Partners II / Silver Pictures
The name is Dalton and we thought he would be bigger. Dalton (Patrick Swayze) is a highly regarded professional cooler of bars and clubs. He is hired by Frank Tilghman (Kevin Tighe) to clean up his Double Deuce Road House down in Jasper, Missouri. A rough drunken and bloody place, the Double Deuce is just the start of Dalton's problems as he falls foul of town despot Brad Wesley (Ben Gazzara). I don't know if it's the same the world over, but here in Britain a bouncer is very different to that of a doorman. This is something that anyone who has been in and round the profession can attest to. So even though the casting of Swayze at first glance seemed an odd one, his character Dalton (wonderfully essayed by him actually) is the epitome of a doorman cooler, where violence is the last resort and used only in extreme circumstances. All of which makes Road House an interesting film in the context of its subjects, it's only when the makers resort to cheap tricks and heavy formula that the film descends into soggy popcorn fodder. The fight scenes are competently handled here, and the characters are an engaging bunch (an axis between Dalton and his landlord Emmet is particularly warm). It's also a very sexy film, mucho machismo for the lads and ladies as Swayze buffs up and kicks butt, while Kelly Lynch sets pulses raising as the perfectly toned, obligatory love interest, Doc Clay (this is a world where doctors look and are shaped like Lynch). A huge question remains though as to if Road House means to be as cheese funny as it is? Because outside of the obvious jokes (plenty) there's cringe moments that make you wonder if it's comedy first, hard buttock actioner second? Be that as it may, Road House is an entertaining film regardless. Scorned by many but cherished by a lot, it remains a late 80s genre splicer that now has something of a cult following. See it at least if only for Sam Elliott's delightful turn as Wade Garrett, the cooler with a reputation as big as Jasper itself. 7/10 Fotnote: Michael Kamen scores the music and basically uses the same score he used for Die Hard the previous year.