FindKey

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The Way Out
The Way Out

The Way Out

20221h 34m★ 5.6ドラマホラー

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Barry Jay

脚本: Barry Jay

制作: Nick Theurer / Barry Jay / Artisha Mann-Cooper

撮影監督: Dominick Sivilli

制作会社: Calvin Productions / Dead I Productions / Fight or Flight Films

口コミ

あなたの評価を記録する

キャスト

Jonny Beauchamp
Jonny Beauchamp
Alex Romero
Mike C. Manning
Mike C. Manning
Shane Collins
Ashleigh Murray
Ashleigh Murray
Gracie Jean Smith
シェリー・シェパード
シェリー・シェパード
Veronica Carl
Damien Diaz
Damien Diaz
Randy
Alison Robertson
Alison Robertson
Detective Braden Cole
Mitch Silpa
Mitch Silpa
Dale
Nick Theurer
Nick Theurer
Brent
Trey Gerrald
Trey Gerrald
Freddy
Evan Todd
Evan Todd
Grant

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 5

"Alex" (Jonny Beauchamp) is a young man recovering from a ghastly relationship with his father. He's pretty broke, in a bit of an emotional cul-de-sac and working as a pizza boy when he encounters the enigmatic and charming "Shane" (Mike Manning) with whom he soon becomes fascinated, infatuated and every so slightly obsessed. His new mentor determines to push "Alex" to his limits, then beyond those limits - enabling him to more fully enjoy sex, but also to be able to defend himself from those who would gay-bash him. As you will expect, there is quite a bit more to "Shane", and as this revenge thriller pans out, we discover a little more of just how his eye-for-an-eye mentality delivers brutal and violent results. My problems with this were twofold. The dialogue is extremely uninspiring, pedestrian even. This story deals with real issues faced by many young gay men who have difficulties with their parents, their friends, with alcohol and their own self-esteem and self-worth. The writing here is just too light-weight and it doesn't arm either character - especially Beauchamp - with enough to really punch through. The second is the woefully underlit photography. It's as if it were all being shot using some candles, or a Davy lamp. That works at certain stages of the story, but after a while I felt the whole point of "Alex" not having to live in the shadows was being compromised by director Barry Jay's choice to film it as if we were all in a cave. It's a solid story that looks at a few salient (and criminal) point. This just doesn't deliver that story very well.

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