FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
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美と殺戮のすべて
美と殺戮のすべて

美と殺戮のすべて

20222h 2m★ 7.2ドキュメンタリー

あらすじ

ヴェネツィア国際映画祭金獅子賞を皮切りに世界各国の映画賞を席巻! 写真家ナン・ゴールディンの光と影に肉薄するドキュメンタリー

作品考察・見どころ

ナン・ゴールディンの眼差しは、真実を射抜く鋭利な武器です。本作は単なる運動の記録ではなく、彼女の剥き出しの半生と芸術が、巨大な悪への抵抗へと収束していく魂の交響曲といえます。スライドショーが放つ圧倒的な密度と、痛切なまでの生の証明が、観る者の倫理観を激しく揺さぶります。 個人の深い傷跡を公共の怒りへと昇華させる構成は、ドキュメンタリーの枠を超えた凄みを放っています。美術館を戦場に変え、巨大権力に立ち向かう彼女の姿は、表現者が持つべき誠実さを鮮烈に問いかけます。静寂の中に響く怒号のような情熱が、あなたの価値観を根底から覆すはずです。

興行成績

興行収入: $1,483,975 (2億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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予告・トレイラー

配信サービス

サブスクリプション

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レンタル・購入

Amazon Video
Apple TV Store
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キャスト

Nan Goldin
Nan Goldin
Self
No Image
Marina Berio
Self
No Image
Noemi Bonazzi
Self
No Image
Harry Cullen
Self
No Image
Megan Kapler
Self
No Image
Annatina Miescher
Self
No Image
Mike Quinn
Self
No Image
Patrick Radden Keefe
Self
No Image
Darryl Pinckney
Self
No Image
Maggie Smith
Self

スタッフ・制作会社

監督: Laura Poitras

音楽: Stephan Crasneanscki / Simone Merli

制作: Nan Goldin / Alex Kwartler / Laura Poitras

制作会社: Participant

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 5

I have to say that I was really disappointed with this. I had expected a serious critique on the way in which the highly addictive opioid "OxyContin" had come to impact on the lives of millions of American citizens. Instead, we get a rather muddled chronology of the life of activist and journalist Nan Goldin, interspersed by the odd demonstration aimed at destroying the reputation of the Sackler family - all of the founders of which (and therefore the principal collectors of the art and the original altruists) had been long dead. We are expected to have far too high a degree of knowledge here for the scientific elements to make sense. It, at no stage, offers us any explanation as to what the drug is, how and why it was prescribed - what was it supposed to do? Nor do we have any contributions from the US Federal Drug Administration or from the medical profession as to just how this was being prescribed by qualified medical personnel the nation over, without any ongoing assessment of it's effects nor any signs of intervention from national - or state - medical authorities. It takes far too simplistic an approach to these crucial and equally negligent issues, is scant on detail and in the end comes across as little better than a one-woman-rant. The fact that Goldin herself led a fascinating and interesting life may well be the subject of a documentary in it's own right - she was an hugely creative lady; but as a documentary on an shocking issue that could have informed me, I found it seriously lacking and one-sided. There can be no doubt that this drug, amongst others, caused abject misery to millions - but this really does miss an opportunity to educate and inform and maybe even to demonstrate the ineffectiveness of the policing authorities and the courts when it comes to dealing with large-scale abuses. Pity, had it laid out arguments and offered us something of a balance it could have been so very much more interesting.

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