まだ氷河が残る太古の北米。ある集落に暮らす3人兄弟の末弟キナイは、村から魚を盗んだ熊を追って、逆に熊に襲われる。長兄シトゥカの助けでキナイは救われるが、代わりにシトゥカは命を落としてしまう。怒ったキナイは熊から命を奪うが、直後、精霊の力で彼は熊の姿に変えられてしまう。キナイは森をあてもなく歩き回り、母とはぐれた子熊コーダと出会う。一方、次男デナヒは熊となったキナイを殺された兄弟の仇だと誤解する。
製作費: $128,000,000 (192億円)
興行収入: $250,397,798 (376億円)
推定収支: $122,397,798 (184億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Aaron Blaise / Robert Walker
脚本: Tab Murphy / Lorne Cameron / David Hoselton
音楽: Mark Mancina / Phil Collins
制作: Chuck Williams
Heartwarming, if not as impactful as it intends to be. <em>'Brother Bear'</em> leaves heartfelt feelings and features a cute story. It does get a bit too melancholic in moments where it doesn't need to be or where it's not set up perfectly. It can also feel a little predictable, but the twist is decent enough. Animation-wise it's fine, while that early aspect ratio stuff is oddly done. The voice cast aren't amazing, despite the talents of Joaquin Phoenix (Kenai) and Michael Clarke Duncan (Tug). Rick Moranis and Dave Thomas are pretty amusing as Rutt and Tuke though. As a whole, I just don't feel the voices suit the characters greatly. The pacing is pretty good while Phil Collins does a satisfactory job with the music, not sure how I feel about the ending though. Overall, it's very much mid-range Disney.
"Kenai" is a young Inuit warrior who disturbs the spirits when he kills a bear. His punishment is to be turned into one himself, and be left to wander the wilderness alone. Luckily, he encounters the young cub "Koda" who thinks he might know the exact spot where "Kenai" might be restored to his humanity. What doesn't help their quest is that his human brother "Denahi" thinks that "Kenai" has been killed by a bear, and so is chasing his new form with lethal intent. As the two bears start to bond, they have some fun escapades, meet the "Stadler & Waldorf" of the moose fraternity and "Kenai" learns the values of friendship, loyalty and community - as well as how to catch some leaping salmon! The quality of the animation, the Phil Collins-led soundtrack (with a decent number from Tina Turner too) and the spirituality of the whole thing is breezy and enjoyable to watch. The young "Koda" reminded me frequently of a sort of "Mowgli" character. Friendly and playful but still staying on the right side of annoying. I also rather liked the denouement - that, too, had a sort of joy to it that exemplified the symbiotic nature of the relationship that ought to exist between mankind and the rest of nature. Characterful animations and cave paintings too! Worth a watch, definitely.
