ファンファーレ！ふたつの音
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Overview
世界中を飛び回るスター指揮者ティボ。ある日、白血病と診断されたティポはドナーを探す中で、自分が養子であること、そして生き別れた弟・ジミーがいることを知る。ジミーは、かつて炭鉱で栄えた寂れた町の食堂で働きながら、仲間と結成した吹奏楽団を唯一の楽しみに暮らしていた。育った環境も性格もまったく異なるティボとジミーだったが、ティボはジミーに類まれな音楽の才能を見いだす。兄弟でありながらも異なる運命を歩んできた2人。ティボはその不公平を正そうと、弟のジミーを何がなんでも応援することを決意する。
製作費: $6,100,000 (9億円)
興行収入: $26,252,618 (39億円)
純利益: $20,152,618 (30億円)
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“Thibaut” (Benjamin Lavernhe) is an accomplished conductor who is now based in the USA but who comes home to France now and again to perform. It’s during one such visit that he confides to his sister “Rose” (Mathilde Courcol-Rozés) that he needs a bone-marrow transplant. She readily agrees to help out but when she is found to be incompatible, that news opens quite a can of worms that results in him having to ask “Jimmy” (Pierre Lottin) - a brother he didn’t know he had and who lives in a quietly dying town where his workplace is earmarked for closure, to help out. Initially uninterested and disbelieving, the film now illustrates just how the two men come to terms with their past, their present and (hopefully) their future against a backdrop of resentment and privilege as they try to reconcile with the elements of “luck of the draw” that have governed their lives thus far. Fortunately, they have one thing in common. They both love music, and as it transpires that “Jimmy” plays trombone in his local mineworkers band we have a conduit for them to bond - or not! There are shades of “Brassed Off” (1996) as this offers us a social commentary on the decline of traditional rural industries that leave little by way of hope or opportunity in it’s wake; a little bit of romance and some seriously horrible uniforms too! Along the way, there is also some fine classical Mozart, some crooning from Charles Aznavour and some enjoyable band rehearsals with an eclectic collection of the townsfolk proving remarkably talented with instrument and voice alike - after a soupçon of guidance. No, there probably isn’t so much jeopardy about the denouement, though there is a twist - it’s really a story about family and one that’s presented without too much sentiment and a bit of enjoyably bloody-minded Gallic humour. I was never quite sure what an orchestral conductor actually did, standing there flailing his baton at a collection of perfectly proficient musicians, but this might just have helped explain a little - and that seating matters too!
